From Shakspeare’s house, the nest step, of course, is to visit his burial-place. The appearance of the church is most venerable and beautiful, standing amid a great green shadow of lime-trees, above which rises the spire, while the Gothic battlements and buttresses and vast arched windows are obscurely seen through the boughs. The Avon loiters past the church-yard, an exceedingly sluggish river, which might seem to have been considering which way it should flow ever since Shakspeare left off paddling in it and gathering the large forget-me-nots that grow among its flags and water-weeds.
An old man in small-clothes was waiting at the gate; and inquiring whether I wished to go in, he preceded me to the church-porch, and rapped. I could have done it quite as effectually for myself; but, it seems, the old people of the neighborhood haunt about the church-yard, in spite of the frowns and remonstrances of the sexton, who grudges them the half-eleemosynary sixpence which they sometimes get from visitors. I was admitted into the church by a respectable-looking and intelligent man in black, the parish-clerk, I suppose, and probably holding a richer incumbency than his vicar, if all the fees which he handles remain in his own pocket. He was already exhibiting the Shakspeare monuments to two or three visitors, and several other parties came in while I was there.
The poet and his family are in possession of what may be considered the very best burial-places that the church affords. They lie in a row, right across the breadth of the chancel, the foot of each gravestone being close to the elevated floor on which the altar stands. Nearest to the side-wall, beneath Shakspeare’s bust, is a slab bearing a Latin inscription addressed to his wife, and covering her remains; then his own slab, with the old anathematizing stanza upon it; then that of Thomas Nash, who married