Thence I was ushered up-stairs to the room in which Shakspeare is supposed to have been born; though, if you peep too curiously into the matter, you may find the shadow of an ugly doubt on this, as well as most other points of his mysterious life. It is the chamber over the butcher’s shop, and is lighted by one broad window containing a great many small, irregular panes of glass. The floor is made of planks, very rudely hewn, and fitting together with little neatness; the naked beams and rafters, at the sides of the room and overhead, bear the original marks of the builder’s broad-axe, with no evidence of an attempt to smooth off the job. Again we have to reconcile ourselves to the smallness of the space inclosed by these illustrious walls,—a circumstance more difficult to accept, as regards places that we have heard, read, thought, and dreamed much about, than any other disenchanting particular of a mistaken ideal. A few paces—perhaps seven or eight—take us from end to end of it. So low it is, that I could easily touch the ceiling, and might have done so without a tiptoe-stretch, had it been a good deal higher; and this humility of the chamber has tempted a vast multitude of people to write their names overhead in pencil. Every inch of the side-walls, even into the obscurest nooks and corners, is covered with a similar record; all the window-panes, moreover, are scrawled with diamond-signatures, among which is said to be that of Walter Scott; but so many persons have sought to immortalize themselves in close vicinity to his name that I really could not trace him out. Methinks it is strange that people do not strive to forget their forlorn little identities, in such situations, instead of thrusting them forward into the dazzle of a great renown, where, if noticed, they cannot but be deemed impertinent.