Fenwick climbed and climbed, discovered the little wooden staircase, and still climbed. At the very top he found a long and narrow corridor, along which he groped in darkness. Suddenly, at the end, a door opened, and a figure appeared on the threshold.
’Fenwick!—that you? All right!—no steps! The floor was left au naturel about 1680—but you won’t come to grief.’
Fenwick arrived at the open door, and Dick Watson drew him into the large studio beyond. Fenwick looked round him in astonishment. The room was a huge grenier in the roof of the old house, roughly adapted to the purposes of a studio. A large window to the north had been put in, and the walls had been rudely plastered. But all the blasts of heaven seemed still to blow through them, and through the chinks or under the eaves of the roof; while in the middle of the floor a pool of water, the remains of a recent heavy shower, testified to the ease with which the weather could enter if it chose.
’I say’—said Fenwick, pointing to the water—’can you stand this kind of thing?’
Watson shivered.
’Not in this weather. I’m off next week. In the summer it’s pleasant enough. Well, it’s deuced lucky I caught sight of you at that show yesterday! How are you? I believe it’s nearly two years since we met last.’
‘I’m all right,’ said Fenwick, accepting a shaky seat and a cigarette.
Watson lighted a fresh one for himself, and then with arms akimbo surveyed his visitor.
’I’ve seen you look better. What’s the matter? Have you been working through the summer in London?’
‘I’m all right,’ Fenwick repeated; then, with a little grimace—’or I should be, if I could pay my way, and paint the things I want to paint.’
He looked up.
‘Well, why don’t you?’
‘Because—somehow—one has to live.’