At another time, ’Has not this accomplishment been a part of your education, my Nancy?  How, then, for your own honour, can we allow of your excuses?’

And I once pleading a cold, the usual pretence of those who love to be entreated—­’Sing, however, my dear, as well as you can.  The greater the difficulty to you, the higher the compliment to the company.  Do you think you are among those who know not how to make allowances? you should sing, my love, lest there should be any body present who may think your excuses owing to affectation.’

At another time, when I had truly observed that a young lady present sung better than I; and that, therefore, I chose not to sing before that lady —­’Fie, said she, (drawing me on one side,) is not this pride, my Nancy?  Does it not look as if your principal motive to oblige was to obtain applause?  A generous mind will not scruple to give advantage to a person of merit, though not always to her own advantage.  And yet she will have a high merit in doing that.  Supposing this excellent person absent, who, my dear, if your example spread, shall sing after you?  You know every one else must be but as a foil to you.  Indeed I must have you as much superior to other ladies in these smaller points, as you are in greater.’  So she was pleased to say to shame me.  She was so much above reserve as disguise.  So communicative that no young lady could be in her company half an hour, and not carry away instruction with her, whatever was the topic.  Yet all sweetly insinuated; nothing given with the air of prescription; so that while she seemed to ask a question for information-sake, she dropt in the needful instruction, and left the instructed unable to decide whether the thought (which being started, she, the instructed, could improve) came primarily from herself, or from the sweet instructress.

She had a pretty hand at drawing, which she obtained with very little instruction.  Her time was too much taken up to allow, though to so fine an art, the attention which was necessary to make her greatly excel in it:  and she used to say, ’That she was afraid of aiming at too many things, for fear she should not be tolerable at any thing.’

For her years, and her opportunities, she was an extraordinary judge of painting.  In this, as in every thing else, nature was her art, her art was nature.  She even prettily performed in it.  Her grandfather, for this reason, bequeathed to her all the family pictures.  Charming was her fancy:  alike sweet and easy was every touch of her pencil and her pen.  Yet her judgment exceeded her performance.  She did not practise enough to excel in the executive part.  She could not in every thing excel.  But, upon the whole, she knew what every subject required according to the nature of it; in other words, was an absolute mistress of the should-be.

To give a familiar instance for the sake of young ladies; she (untaught) observed when but a child, that the sun, moon, and stars, never appeared at once; and were therefore never to be in one piece; that bears, tigers, lions, were not natives of an English climate, and should not therefore have place in an English landscape; that these ravagers of the forest consorted not with lambs, kids, or fawns; nor kites, hawks, and vultures, with doves, partridges, or pheasants.