The Duke of Lennox is very sumptuously arrayed in armour, partly blue, and partly gilt and graven, and his charger is caparisoned with cloth of gold, embroidered with pearls. Besides this he has four spare horses, led by his pages, in housings equally gorgeous and costly. These pages have cassock coats, and Venetian hose, of cloth of silver, laid with gold lace, and caps with gold bands and white feathers, and white buskins. His retinue consists of forty gentlemen and yeomen, and four trumpeters. His companions-at-arms are all splendidly accoutred, and mounted on richly-caparisoned chargers. The most noticeable figure amongst them, however, is that of Sir Giles Mompesson; and he attracts attention from the circumstance of his armour being entirely sable, his steed jet black, and his housings, plumes, and all his equipments of the same sombre hue.
At this juncture, a page, in the Prince’s livery of white and gold, approaches Sir Jocelyn, and informs him that his highness desires to speak with him before they proceed to the tilt-yard. On receiving the summons the young knight immediately quits De Gondomar, and, following the page to the doorway leading to the state apartments, dismounts at the steps, leaving his steed in charge of his youthful companion.
On entering the vestibule he finds a large party assembled, comprising some of the fairest dames of court, and several noble gallants, who intend taking no other part than that of spectators in the approaching tilting-match. Most of them are known to Sir Jocelyn, and they eagerly crowd round him, fearing something may have occurred to interfere with the proceedings of the day. The young knight allays their apprehensions, and after experiencing the kindling influence always produced by the smiles of the fair, begins to ascend the great staircase, and has nearly reached the door at its head, communicating with the Stone Gallery, when it is thrown open by an usher, and Prince Charles comes forth.