What did she behold?  A young man seated beside a carved oak table, with his back towards her.  He was reading a letter, the contents of which seemed greatly to disturb him, for he more than once dashed it aside, and then compelled himself to resume its perusal.  No one else was in the room, which was spacious and lofty, though somewhat sombre, being wholly furnished with dark oak; while the walls were hung with ancient tapestry.  Heavy curtains were drawn before the deep bay windows, increasing the gloom.  The chamber was lighted by a brass lamp suspended from the moulded ceiling, the ribs of which were painted, and the bosses, at the intersections, gilded.  Near the concealed entrance where the lady stood was placed a large curiously-carved ebony cabinet, against which leaned a suit of tilting armour and a lance; while on its summit were laid a morion, a brigandine, greaves, gauntlets, and other pieces of armour.  On the right of the cabinet the tapestry was looped aside, disclosing a short flight of steps, terminated by the door of an anti-chamber.

Almost as the lady set foot within the room, which she did after a brief deliberation, dropping the arras noiselessly behind her, the young man arose.  Her entrance had not been perceived, so violently was he agitated.  Crushing the letter which had excited him so much between his fingers, and casting it furiously from him, he gave vent to an incoherent expression of rage.  Though naturally extremely handsome, his features at this moment were so distorted by passion that they looked almost hideous.  In person he was slight and finely-formed; and the richness of his attire proclaimed him of rank.

The lady who, unperceived, had witnessed his violent emotion was remarkably beautiful.  Her figure was superb; and she had the whitest neck and arms imaginable, and the smallest and most delicately-formed hands.  Her features derived something of haughtiness from a slightly aquiline nose and a short curled upper lip.  Her eyes were magnificent—­large, dark, and almost Oriental in shape and splendour.  Jetty brows, and thick, lustrous, raven hair, completed the catalogue of her charms.  Her dress was of white brocade, over which she wore a loose robe of violet-coloured velvet, with open hanging sleeves, well calculated to display the polished beauty of her arms.  Her ruff was of point lace, and round her throat she wore a carcanet of pearls, while other precious stones glistened in her dusky tresses.

This beautiful dame, whose proud lips were now more compressed than usual, and whose dark eyes emitted fierce rays—­very different from their customary tender and voluptuous glances—­was the Countess of Exeter.  He whom she looked upon was Lord Roos, and the chamber she had just entered was the one assigned to the young nobleman in the Palace of Theobalds.

She watched him for some time with curiosity.  At length his rage found vent in words.

“Perdition seize them both!” he exclaimed, smiting his forehead with his clenched hand.  “Was ever man cursed with wife and mother-in-law like mine!  They will, perforce, drive me to desperate measures, which I would willingly avoid; but if nothing else will keep them quiet, the grave must.  Ay, the grave,” he repeated in a hollow voice; “it is not my fault if I am compelled to send them thither.  Fools to torment me thus!”