The writer of ‘Toernrosens Bok’ [The Book of the Rose] is one of these few; he does therefore already reign over a number of youthful hearts, and out of them will rise his time of honor, a time when many of the celebrities of the present moment will have faded away.”

Almquist was born in Stockholm in 1793.  When still a very young man he obtained a good official position, but gave it up in 1823 to lead a colony of friends into the forests of Vaermland, where they intended to return to a primitive life close to the heart of nature.  He called this colony a “Man’s-home Association,” and ordained that in the primeval forest the members should live in turf-covered huts, wear homespun, eat porridge with a wooden spoon, and enact the ancient freeholder.  The experiment was not successful, he tired of the manual work, and returning to Stockholm, became master of the new Elementary School, and began to write text-books and educational works.  His publication of a number of epics, dramas, lyrics, and romances made him suddenly famous.  Viewed as a whole, this collection is generally called ’The Book of the Rose,’ but at times ‘En Irrande Hind’ (A Stray Deer).  Of this, the two dramas, ‘Signora Luna’ and ‘Ramido Marinesco,’ contain some of the pearls of Swedish literature.  Uneven in the plan and execution, they are yet masterly in dialogue, and their dramatic and tragic force is great.  Almquist’s imagination showed itself as individual as it is fantastic.  Coming from a man hitherto known as the writer of text-books and the advocate of popular social ideas, the volumes aroused extraordinary interest.  The author revealed himself as akin to Novalis and Victor Hugo, with a power of language like that of Atterbom, and a richness of color resembling Tegner’s.  Atterbom himself wrote of ‘Toernrosens Bok’ that it was a work whose “faults were exceedingly easy to overlook and whose beauties exceedingly difficult to match.”

After this appeared in rapid succession, and written with equal ease, lyrical, dramatic, educational, poetical, aesthetical, philosophical, moral, and religious treatises, as well as lectures and studies in history and law; for Almquist now gave all his time to literary labors.  His novels showed socialistic sympathies, and he put forth newspaper articles and pamphlets on Socialism which aroused considerable opposition.  Moreover, he delighted in contradictions.  One day he wrote as an avowed Christian, extolling virtue, piety, and Christian knowledge; the next, he abrogated religion as entirely unnecessary:  and his own explanation of this variability was merely—­“I paint so because it pleases me to paint so, and life is not otherwise.”

In 1851 was heard the startling rumor that he was accused of forgery and charged with murder.  He fled from Sweden and disappeared from the knowledge of men.  Going to America, he earned under a fictitious name a scanty living, and became, it is said, the private secretary of Abraham Lincoln.  In 1866 he found himself again under the ban of the law, his papers were destroyed, and he escaped with difficulty to Bremen, where he died.