restraint and balance, his ferocity of spirit when
opposed, and the violence with which he assailed his
enemies, neutralized his splendid gifts, marred his
fortune, and sent him into lonely exile at Dublin,
where he longed for the ampler world of London.
Few figures in literary history are more pathetic
than that of the old Dean of St. Patrick’s,
broken in spirit, failing in health, his noble faculties
gone into premature decay, forsaken, bitter, and remorseful.
At the time of Addison’s stay in Ireland, the
days of Swift’s eclipse were, however, far distant;
both men were in their prime. That Swift loved
Addison is clear enough; and it is easy to understand
the qualities which made Addison one of the most deeply
loved men of his time. He was of an eminently
social temper, although averse to large companies and
shy and silent in their presence. “There
is no such thing,” he once said, “as real
conversation but between two persons.” He
was free from malice, meanness, or jealousy, Pope
to the contrary notwithstanding. He was absolutely
loyal to his principles and to his friends, in a time
when many men changed both with as little compunction
as they changed wigs and swords. His personality
was singularly winning; his features regular, and
full of refinement and intelligence; his bearing dignified
and graceful; his temper kindly and in perfect control;
his character without a stain; his conversation enchanting,
its charm confessed by persons so diverse in taste
as Pope, Swift, Steele, and Young. Lady Mary
Montagu declared that he was the best company she had
ever known. He had two faults of which the world
has heard much: he loved the company of men who
flattered him, and at times he used wine too freely.
The first of these defects was venial, and did not
blind his judgment either of himself or his friends;
the second defect was so common among the men of his
time that Addison’s occasional over-indulgence,
in contrast with the excesses of others, seems like
temperance itself.
The harmony and symmetry of this winning personality
has, in a sense, told against it; for men are prone
to call the well-balanced nature cold and the well-regulated
life Pharisaic. Addison did not escape charges
of this kind from the wild livers of his own time,
who could not dissociate genius from profligacy nor
generosity of nature from prodigality. It was
one of the great services of Addison to his generation
and to all generations, that in an age of violent
passions, he showed how a strong man could govern
himself. In a time of reckless living, he illustrated
the power which flows from subordination of pleasure
to duty. In a day when wit was identified with
malice, he brought out its power to entertain, surprise,
and delight, without taking on the irreverent levity
of Voltaire, the bitterness of Swift, or the malice
of Pope.