Another character now enters upon the scene, looking cautiously about him at every step, as if he feared an unpleasant surprise.  This is Leander, the horror of fathers, husbands, and guardians, the delight of wives, daughters, and wards—­in one word, the lover—­the very beau-ideal of a lover; young, handsome, ardent, ready for anything, winning over strict old duennas, bribing pert waiting-maids, climbing up rope-ladders, overcoming every obstacle to reach the fair mistress of his affections, and kneeling at her feet to pour out burning protestations of love and devotion, that no mortal woman could ever resist.  Suddenly perceiving that Pandolphe is here, where he only expected to find Isabelle, Leander stops and throws himself into an attitude, which he has frequently practised before the mirror, and which, he flatters himself, shows his handsome person to great advantage; standing with his weight thrown upon the left leg, the right one advanced and slightly bent at the knee; one hand on the hilt of his sword, the other stroking his chin, so as to make the big diamond on his finger flash in the light, and a slight smile playing about his lips.  He really did look very handsome as he stood there, and was greatly admired by all the ladies—­even the haughty Yolande herself not disdaining to smile upon him approvingly.  Profiting by the opportunity that this pause gave him, Leander fixed his eyes upon the Marquise de Bruyeres, with such a look of passionate entreaty and admiration that she blushed crimson in spite of herself under his ardent gaze; then he turned reluctantly towards Isabelle, with an absent, indifferent air, which he intended should indicate to the fair object of his aspirations the difference between real and simulated passion.

When Pandolphe becomes aware of the presence of Leander he is more furious than ever, and hustles his daughter and her maid into the house as quickly as possible, not, however, without Zerbine’s finding means to take from Leander a note for Isabelle, which she slips into the pocket of her coquettish little apron.  The young man, left alone with the irate father, assures him in the most respectful manner that his intentions are honourable; that he asks the hand of his fair daughter in marriage; that he is of gentle birth, has an ample fortune, and is in high favour at court; that nothing could ever induce him to give up Isabelle; he is ready to risk everything to win her, for he loves her better than his life—­delicious words, which the young girl listens to with rapture from her balcony, whence she makes little signs of approval and encouragement to her lover, quite unknown to the stern father, whose back is turned to her, and who believes her safely locked up in the house.  Despite the mellifluous eloquence of the ardent young suitor Pandolphe remains obstinate and unmoved, and swears, by all the gods that either he will have Captain Matamore for his son-in-law, or his refractory daughter shall be shut up in a convent and forced to become a nun.  Off he bustles in hot haste to find a notary and have the contract of marriage drawn without further delay.