LINNAEUS, or more properly LINNE, KARL VON, great Swedish naturalist, specially in the department of botany, a branch to the study of which he was devoted from his earliest years; he was the founder of the system of the classification of plants which bears his name, and which is determined by the number and disposition of the reproductive organs, but which is now superseded by the natural system of Jussieu; he was professor at Upsala, and his works on his favourite subject were numerous, and extended far and wide his reputation as a naturalist (1707-1778).

LINNELL, JOHN, English painter, painted portraits at first, but in the end landscapes, of which last “The Windmill” and a wood scene are in the National Gallery; he was a friend and an admirer of William Blake (1807-1882).

LINOLEUM, a floorcloth, being a composition of cork and linseed oil with chloride of silver.

LINOTYPE, a contrivance for setting and casting words or lines for printing.

LINZ (47), the capital of the crownland of Upper Austria, on the right bank of the Danube; a busy commercial place, a great railway centre, and the seat of the manufacture of woollen goods, linen, tobacco, &c.; is also of great strategical importance in time of war.

LION, THE, the king of animals, was the symbol of power, courage, and virtue, and in Christian art of the resurrection; is in general, as Mr. Fairholt remarks, “a royal symbol, and in emblem of dominion, command, magnanimity, vigilance, and strength; representing when couchant sovereignty, when rampant magnanimity, when passant resolution, when guardant prudence, when saliant valour, when sciant counsel, and when regardant circumspection.”

LIP`ARI ISLANDS (22), a group of islands of volcanic origin, 12 in number, off the N. coast of Sicily, in two of which, Vulcano and Stromboli, the volcanic force is still active, the latter emitting clouds of steam at intervals of five minutes.

LIPPE (128), an old N. German principality, the principal towns of which are Detmold, Lemgo, and Horn.

LIPPI, FILIPPINO, Italian painter, son of the succeeding; is presumed to have been a pupil of BOTTICELLI’S (q. v.); his earliest known work is the “Vision of St. Bernard” in Florence, and he executed various works in Bologna, Genoa, and Rome; painted frescoes and altar-pieces, and scenes in the lives of St. Peter and St. Paul (1460-1504).

LIPPI, FRA FILIPPO, Italian painter, born at Florence; left an orphan, was brought up in a monastery, where his talent for art was developed and encouraged; went to Ancona, was carried off by pirates, but procured his release by his skill in drawing, and returning to Italy practised his art in Florence and elsewhere, till one day he eloped with a novice in a nunnery who sat to him for a Madonna, by whom he became the father of a son no less famous than himself; he prosecuted his art amid poverty with zeal and success to the last; distinguished by Ruskin (Fors xxiv. 4) as the only monk who ever did good painter’s work; he had Botticelli for a pupil (1412-1469).