number of his works; before the Restoration he received preferment in Ireland, and after that event was made bishop, first of Down and then of Dromore; his life here was far from a happy one, partly through insubordination in his diocese and partly through domestic sorrow; his works are numerous, but the principal are his “Liberty of Prophesying,” “Holy Living and Holy Dying,” “Life of Christ,” “Ductor Dubitantium,” a work on casuistry; he was a good man and a faithful, more a religious writer than a theological; his books are read more for their devotion than their divinity, and they all give evidence of luxuriance of imagination, to which the epithet “florid” has not inappropriately been applied; in Church matters he was a follower of Laud (1613-1667).

TAYLOR, JOHN, known as the “Water-Poet,” born at Gloucester; was successively a waterman on the Thames, a sailor in the navy, public-house keeper in Oxford, etc.; walked from London to Edinburgh, “not carrying any money to or fro, neither begging, borrowing, or asking meat, drink, or lodging,” and described the journey in his “Penniless Pilgrimage”; wrote also “Travels in Germanie,” and enjoyed considerable repute in his time as a humorous rhymester (1580-1654).

TAYLOR, TOM, a noted playwright and journalist, born at Sunderland; was elected to a Fellowship at Cambridge, for two years filled the chair of English Literature at University College, London; in 1845 was called to the bar, but shortly afterwards took to journalism, writing leaders for the Morning Chronicle and Daily News; during 1850-1872 held secretarial appointments to the Board of Health and in the Local Government Act Office; succeeded Shirley Brooks as editor of Punch in 1874; was throughout his life a prolific writer and adapter of plays, staging upwards of 100 pieces, of which the best known are “To Parents and Guardians,” “Still Waters Run Deep,” “Our American Cousin,” “Ticket-of-Leave Man,” etc. (1817-1880).

TAYLOR, WILLIAM, literary historian and critic, born at Norwich; residence on the Continent enabled him to master French, Italian, and especially German, and confirmed him in his taste for literature, to pursue which he abandoned business; various essays and reviews formed the groundwork of his elaborate “Historic Survey of German Literature,” the first systematic survey of German literature presented to English readers; taught German to George Borrow, who in “Lavengro” sketched his interesting personality, which may be further studied in his correspondence with Southey, Scott, etc. (1765-1836).