stream: the loving-kindness that was between
thee and thy gracious friend is even now in all men’s
mouths, and chiefly on the lips of the young.”
Hill and fountain and pine, the gray sea and Mother
Etna, are here; but no children gather in the land,
as once about the tomb of Diocles at the coming in
of the spring, contending for the prize of the kisses—“Whoso
most sweetly touches lip to lip, laden with garlands
he returneth to his mother. Happy is he who judges
those kisses of the children.” Lost over
the bright furrows of the sea is Europa riding on
the back of the divine bull as Moschus beheld her—“With
one hand she clasped the beast’s great horn,
and with the other caught up the purple fold of her
garment, lest it might trail and be wet in the hoar
sea’s infinite spray”; and from the border-land
of mythic story, that was then this world’s horizon,
yet more faintly the fading voice of Hylas answers
the deep-throated shout of Herakles. Faint now
as his voice are the voices of the shepherds who are
gone, youth and maiden and children; dimly I see them,
vaguely I hear them; at last there remains only “the
hoar sea’s infinite spray.” And will
you say it was in truth all a dream? Were the
poor fisherman in their toil alone real, and the rest
airy nothings to whom Sicily gave a local habitation
and a name? It was Virgil’s dream and Spenser’s;
and some secret there was—something still
in our breasts—that made it immortal, so
that to name the Sicilian Muses is to stir an infinite,
longing tenderness in every young and noble heart
that the gods have softened with sweet thoughts.
And here I shut in my pages the one laurel leaf that
Taormina bore. She, too, in her centuries has
had her poet. Perhaps none who will see these
words ever gave a thought to the name and fame of Cornelius
Severus. Few of his works remain, and little
is known of his life. He is said to have been
the friend of Pollio, and to have been present in the
Sicilian war between Augustus and Sextus Pompey.
He wrote the first book of an epic poem on that subject,
so excellent that it has been thought that, had the
entire work been continued at the same level, he would
have held the second place among the Latin epic poets.
He wrote also heroic songs, of which fragments survive,
one of which is an elegy upon Cicero, which Seneca
quotes, saying of him, “No one out of so many
talented men deplored the death of Cicero better than
Cornelius Severus.” Some dialogues in verse
also seem to have been written by him. These
fragments may not he easily obtained. But take
down your Virgil; and, if it be like this of mine
which I brought from Rome, you will find at the very
end, last of the shorter pieces ascribed to the poet,
one of the length of a book of the “Georgics,”
called “Etna.” This is the work of
Cornelius Severus. An early death took from him
the perfection of his genius and the hope of fame;
but happy was the fortune of him who wrote so well
that for centuries his lines were thought not unworthy
of Virgil, whose name still shields this Taorminian
verse from oblivion.