Garden, Miss Mary, 382
Gardiner, Mrs. Jack, 314-5
Garrick, David, 192
Gay, Maria, 382
Gilbert, Alfred, 118, 368 et sqq.
Gilbert, Sir John, 200
Gilbert, Sir W.S., 127, 270
Gilder, Mr. R.W., 285
Gillespie, Mrs., 313
Gladstone, Right Hon. W.E., 58-9, 379, 396
Glasgow, 4, 8
Glenesk, Lady, 397
Godwin, Mr., 49, 50-1, 111, 164, 216
Got, 74
“Governor’s Wife, The,” 43
Grieve, Mrs., 17
Grisi, Madame, 381-2

Haas, Frederick, 136
“Hamlet,” 107, 136-7, 166 et sqq., 191
Harcourt, Sir William V., 63-4
—­Right Hon. Lewis, 64
Hare, John, 148 et sqq., 165
Harley, Mr., 26-7
Harries, Miss, 279
Harvey, Martin, 337
Haymarket Theatre, 49, 53, 72
“Henry VIII.,” 24, 337 et sqq., 377
Herbert, Miss, 69, 71
Hicks, Seymour, 268
Hine, Mr., 51
Hodson, Henrietta (Mrs. Labouchere), 47 et sqq., 49, 76
Holland, Sarah, 240 et sqq.
Holmes, O.W., 315
“Home for the Holidays,” 35-6
Houghton, Lord, 208, 274-5
“House of Darnley, The,” 153
Household Words, 74
Housman, Mr. Laurence, 351
Howe, Mr., 52, 219-20, 301, 337
“Hunchback, The,” 75
Hunt, Holman, 266

“If the Cap Fits,” 26
Imperial Theatre, 352 et sqq.
Ingelow, Miss Jean, 265
“Iolanthe,” 191, 206
“Iris,” 164
Irving, Sir Henry, 59;
  first appearance with Ellen Terry, 76;
  Miss Terry’s first impressions of, 79 et sqq.;
  in “The Taming of the Shrew,” 80;
  in “Hunted Down,” 81;
  his genius of will, 107;
  as King Philip, 134 et sqq., 145;
  as Hamlet in 1874, 136 et sqq.;
  in “Louis XI.” and “Richelieu,” 136;
  what critics have said of him, 141;
  the infinite variety of his acting, 142;
  takes the Lyceum Theatre, 160;
  his Hamlet in 1878, 166 et sqq., 180 et sqq.;
  his musical director, 168;
  his characteristics, 169 et sqq.;
  in “Much Ado About Nothing,” 178;
  in “The Merchant of Venice,” 179, 350;
  his dog Fussie, 180, 305-6 et sqq.;
  his childhood, 182 et sqq.;
  as stage manager, 188 et sqq.;
  his best parts, 190;
  as Claude Melnotte, 194;
  as Eugene Aram, 195;
  as Charles I., 197, 350;
  as Shylock, 203-4;
  in “The Corsican Brothers,” 212;
  in “The Cup,” 213 et sqq.;
  in “The Bells,” 217;
  and Edwin Booth, 221 et sqq.;
  in “Othello,” 221 et sqq.;
  his Romeo, 224;
  in “The Two Roses,” 227;
  and Terriss, 246 et sqq.;
  his “Much Ado About Nothing,” 244 et sqq.;
  in “Twelfth Night,” 254;
  in “Olivia,” 256 et sqq.;
  in “Faust,” 260 et sqq., 344;
  his address on “Four Actors,” 263;
  in “Macaire,” 270;
  in “Werner,” 270-1;
  touring in America, 273;
  American criticism of his accent, 296-7;