[Footnote 1: Of course, all salaries are bigger now than they were then. The “stars” in old days earned large sums—Edmund Kean received two hundred and fifty pounds for four performances—but the ordinary members of a company were paid at a very moderate rate. I received fifteen shillings a week at the Princess’s until I played Puck, when my salary was doubled.—E.T.]
Our summer holidays, as I have said, were spent at Ryde. We stayed at Rose Cottage (for which I sought in vain when I revisited the place the other day), and the change was pleasant, even though we were working hard. One of the pieces father gave at the theater to amuse the summer visitors was a farce called “To Parents and Guardians.” I played the fat, naughty boy Waddilove, a part which had been associated with the comedian Robson in London, and I remember that I made the unsophisticated audience shout with laughter by entering with my hands covered with jam! Father was capital as the French usher Tourbillon; and the whole thing went splendidly. Looking back, it seems rather audacious for such a child to have attempted a grown-up comedian’s part, but it was excellent practice for that child! It was the success of these little summer ventures at Ryde which made my father think of our touring in “A Drawing-room Entertainment” when the Keans left the Princess’s.
The entertainment consisted of two little plays “Home for the Holidays” and “Distant Relations,” and they were written, I think, by a Mr. Courtney. We were engaged to do it first at the Royal Colosseum, Regent’s Park, by Sir Charles Wyndham’s father, Mr. Culverwell. Kate and I played all the parts in each piece, and we did quick changes at the side worthy of Fregoli! The whole thing was quite a success, and after playing it at the Colosseum we started on a round of visits.