Now and again her eyes wandered around the great kitchen—up to the oaken roof, almost black with age, and the hams, sides of bacon, bundles of potherbs, bags of simples, dangling from its beams; across to the old jack that stretched athwart the wall to the left of the fireplace—a curious apparatus, in old times (as Chrissy explained to her) turned by a dog, but now disused and kept only as a relic; to the tall settle on the right with the bars beneath the seat, and behind the bars (so Chrissy averred) a couple of live geese imprisoned, and quietly sitting on their eggs amid all this uproar; to the great cave of the fireplace itself, hung with pothooks and toothed cramps, where a fire of logs burned on a hearthstone so wide that actually—yes, actually—deep in its recess, and behind the fire, were set two smoke-blackened seats, one in each farther angle under the open chimney.
Before the feast had been twenty minutes in progress the farmer looked up and along the table and called for lights. His eyes, he explained, were not so young as they had been. Roger—tallest of the young men— jumped up and lit two oil-lamps that hung from the beams. The lamps had immense reflectors above them, made of tin; but they shone like silver, and Tilda took them for silver.
“That’s cheerfuller!” shouted Farmer Tossell with a laugh of great contentment, and fell-to again.
But as the light wavered and anon grew steady, Chrissy leaned over Tilda, touched Arthur Miles on the shoulder, and pointed to the wall opposite. Tilda stared also, following the direction of her finger.