“Krist gif en sadan Angel
    Kom, tog bad mig och dig!"[C]

[Footnote C:  Christ grant that such an angel were to come, and take both me and thee!]

The sun now shines through the open cloister-gate.  Let truth shine into our hearts; let us likewise acknowledge the cloister’s share of God’s influence.  Every cell was not quite a prison, where the imprisoned bird flew in despair against the window-pane; here sometimes was sunshine from God in the heart and mind, from hence also went out comfort and blessings.  If the dead could rise from their graves they would bear witness thereof:  if we saw them in the moonlight lift the tombstone and step forth towards the cloister, they would say:  “Blessed be these walls!” if we saw them in the sunlight hovering in the rainbow’s gleam, they would say:  “Blessed be these walls!”

How changed the rich, mighty Vadstene cloister, where the first daughters of the land were nuns, where the young nobles of the land wore the monk’s cowl.  Hither they made pilgrimages from Italy, from Spain:  from far distant lands, in snow and cold, the pilgrim came barefooted to the cloister door.  Pious men and women bore the corpse of St. Bridget hither in their hands from Rome, and all the church-bells in all the lands and towns they passed through, tolled when they came.

We go towards the cloister—­the remains of the old ruin.  We enter St. Bridget’s cell—­it still stands unchanged.  It is low, small and narrow:  four diminutive frames form the whole window, but one can look from it out over the whole garden, and far away over the Vettern.  We see the same beautiful landscape that the fair Saint saw as a frame around her God, whilst she read her morning and evening prayers.  In the tile-stone of the floor there is engraved a rosary:  before it, on her bare knees, she said a pater-noster at every pearl there pointed out.  Here is no chimney—­no hearth, no place for it.  Cold and solitary it is, and was, here where the world’s most far-famed woman dwelt, she who by her own sagacity, and by her contemporaries was raised to the throne of female saints.

From this poor cell we enter one still meaner, one still more narrow and cold, where the faint light of day struggles in through a long crevice in the wall.  Glass there never was here:  the wind blows in here.  Who was she who once dwelt in this cell?

In our times they have arranged light, warm chambers close by:  a whole range opens into the broad passage.  We hear merry songs; laughter we hear, and weeping:  strange figures nod to us from these chambers.  Who are these?  The rich cloister of St. Bridget’s, whence kings made pilgrimages, is now Sweden’s mad-house.  And here the numerous travellers write their names on the wall.  We hasten from the hideous scene into the splendid cloister church,—­the blue church, as it is called, from the blue stones of which the walls are built—­and here, where the large stones of the floor cover great men, abbesses and queens, only one monument is noticeable, that of a knightly figure carved in stone, which stands aloft before the altar.  It is that of the insane Duke Magnus.  Is it not as if he stepped forth from amongst the dead, and announced that such afflicted creatures were to be where St. Bridget once ruled?