So I go. I am nearing Tempest: as I reach the churchyard gate, I stop the carriage, and get out.
Barbara was always the one that, after any absence from home, I used first to run in search of. I will go and seek her now.
It is drawing toward dusk as I pass, in my long black gown, up the church-path, between the still and low-lying dead, to the quiet spot where, with the tree-boughs waving over her, with the ivy hanging the loose luxuriance of its garlands on the church-yard wall above her head, our Barbara is taking her rest.
As I near the grave, I see that I am not its only visitor. Some one, a man, is already there, leaning pensively on the railings that surround it, with his eyes fixed on the dark and winterly earth, and on the newly-planted, flagging flowers. It is Roger. As he hears my approaching steps, the swish of my draperies, he turns; and, by the serene and lifted gravity of his eyes, I see that he has been away in heaven with Barbara. He does not speak as I come near; only he opens his arms joyfully, and yet a little diffidently, too, and I fly to then.
“Roger!” I cry, passionately, with a greedy yearning for human love here—at this very spot, where so much of the love of my life lies in death’s austere silence at my feet—“love me a little—ever so little! I know I am not very lovable, but you once liked me, did not you?—not nearly so much as I thought, I know, but still a little!”
“A little!”
“I am going to begin all over again!” I go on, eagerly, speaking very quickly, with my arms clasped about his neck, “quite all over again; indeed I am! I shall be so different that you will not know me for the same person, and if—if—” (beginning to falter and stumble)—“if you still go on liking her best, and thinking her prettier and pleasanter to talk to—well, you cannot help it, it will not be your fault—and I— I—will try not to mind!”
He has taken my hands from about his neck, and is holding them warmly, steadfastly clasped in his own.
“Child! child!” he cries, “shall I never undeceive you? are you still harping on that old worn-out string?”
“Is it worn out?” I ask, anxiously, staring up with my wet eyes through the deep twilight into his. “Yes, yes!” (going on quickly and impulsively), “if you say so, I will believe it—without another word I will believe it, but—” (with a sudden fall from my high tone, and lapse into curiosity)—“you know you must have liked her a good deal once—you know you were engaged to her.”