Whatever visions of a happy youth, whatever mournful recollections of the sports of her own children, might belong to them, those now with her knew not of them, but they thought that her long and pathetic watch had at last become more a habit with her than any conscious recalling of the past, and they hoped it might be so.

The one sitting-room used by the family opened into the gallery, and was a good deal darkened by its roof.  On one side of it was Peter’s nursery, on the other his great-grandmother’s chamber, and no other part of the house was open excepting some kitchen offices, and two or three bedrooms in the roof.  The servants consisted of a nurse (herself an old woman), who sat nearly all day in the parlour, because her far more aged mistress required much attendance, a grey-headed housemaid, a cook, and a man, the husband of this last.  His chief business was to groom the one horse of the establishment, and ride on it to the nearest town for meat, grocery, and other marketings.

The floor of the parlour was oak, which had once been polished; all the furniture was to the last degree quaint and old fashioned; the two large windows opened like double doors upon the gallery, and were shaded by curtains of Madras chintz.  The chairs, which were inconveniently heavy, were also covered with chintz; it was frilled round them like a petticoat, and was just short enough to show their hideous club-feet.  Over the chimney-piece was a frame, and something in it said to be a picture.  Peter, when a very little child, used to call it “a picture of the dark,” for it seemed to be nothing but an expanse of deep brown, with a spot of some lighter hue in one corner.  He wished, he said, that they had put a piece of moon in to show how dark that country was.  The old nurse, however, had her theories about this patch; she would have it that it was somewhat in the shape of a jacket; she thought it likely that the picture represented a hunt, and said she supposed the foremost horseman in his red coat was watering his horse in a pond.  Peter and the nurse had argued together on this subject many times before the old lady was appealed to, but when they once chanced to ask her about the picture, she affirmed that the patch was a lobster, and that a sort of ring which seemed faintly to encircle it was the edge of a plate.  In short, she declared that this was a Dutch picture of still life, and that in Peter’s time, when he came to have it cleaned, it would prove to be worth money.

“And when will it be my time?” asked little Peter innocently.

“Hold your tongue, child!” whispered his mother; “it won’t be your time till your poor dear grandmother’s in heaven.”

“I don’t want her to go to heaven yet,” said Peter in a plaintive tone (for he regarded her as much the best possession he had), and, raising his voice, he complained to her as to one threatening to injure him, “Grandmother, you don’t want to go to heaven just yet, do you?”