Flowers gleam in original hues from graceful vases in almost every domicile where Taste presides; and the hand of “nice Art” charms us with “counterfeit presentments” of their forms and colors, not only on the living canvas, but even on our domestic China-ware, and our mahogany furniture, and our wall-papers and hangings and carpets, and on our richest apparel for holiday occasions and our simplest garments for daily wear.  Even human Beauty, the Queen of all loveliness on earth, engages Flora as her handmaid at the toilet, in spite of the dictum of the poet of ‘The Seasons,’ that “Beauty when unadorned is adorned the most.”

Flowers are hung in graceful festoons both in churches and in ball-rooms.  They decorate the altar, the bride-bed, the cradle, and the bier.  They grace festivals, and triumphs, and processions; and cast a glory on gala days; and are amongst the last sad honors we pay to the objects of our love.

I remember the death of a sweet little English girl of but a year old, over whom, in her small coffin, a young and lovely mother sprinkled the freshest and fairest flowers.  The task seemed to soften—­perhaps to sweeten—­her maternal grief.  I shall never forget the sight.  The bright-hued blossoms seemed to make her oblivious for a moment of the darkness and corruption to which she was so soon to consign her priceless treasure.  The child’s sweet face, even in death, reminded me that the flowers of the field and garden, however lovely, are all outshone by human beauty.  What floral glory of the wild-wood, or what queen of the parterre, in all the pride of bloom, laughing in the sun-light or dancing in the breeze, hath a charm that could vie for a single moment with the soft and holy lustre of that motionless and faded human lily?  I never more deeply felt the force of Milton’s noble phrase “the human face divine” than when gazing on that sleeping child.  The fixed placid smile, the smoothly closed eye with its transparent lid, the air of profound tranquillity, the simple purity (elevated into an aspect of bright intelligence, as if the little cherub already experienced the beatitude of another and a better world,) were perfectly angelic—­and mocked all attempt at description.  “Of such is the Kingdom of Heaven!”

O flower of an earthly spring! destined to blossom in the eternal summer of another and more genial region!  Loveliest of lovely children—­loveliest to the last!  More beautiful in death than aught still living!  Thou seemest now to all who miss and mourn thee but a sweet name—­a fair vision—­a precious memory;—­but in reality thou art a more truly living thing than thou wert before or than aught thou hast left behind.  Thou hast come early into a rich inheritance.  Thou hast now a substantial existence, a genuine glory, an everlasting possession, beyond the sky.  Thou hast exchanged the frail flowers that decked thy bier for amaranthine hues and fragrance, and the brief and uncertain delights of mortal being for the eternal and perfect felicity of angels!