“How would you mend it?” said Barthrop. “It seems to me it must represent something.”
“Something!” said Father Payne. “I don’t know! I don’t believe we are so stupid and so ignoble! As to mending it, that’s another question. Writing is such a curious thing—it seems to represent anything in the world except the current of a man’s thoughts. Reverie—has anyone ever tried to represent that? I have been out for a walk sometimes, and reflected when I came in that if what has passed through my mind were all printed in full in a book, it would make a large octavo volume—and precious stuff, too! Yet the few thoughts which do stand out when it is all over, the few bright flashes, they are things which can hardly be written down—at least they never are written down.”
“But what would you do?” I said—“with the newspapers, I mean.”
“Well,” said Father Payne, “a great deal of the news most worth telling can be told best in pictures. I believe very much in illustrated papers. They really do help the imagination. That’s the worst of words—a dozen scratches on a bit of paper do more to make one realise a scene than columns of description. I would do a lot with pictures, and a bit of print below to tell people what to notice. Then we must have a number of bare facts and notices—weather, business, trade, law—the sort of thing that people concerned must read. But I would make a clean sweep of fashion, and all sensational intelligence—murders, accidents, sudden deaths. I would have much more