Blackwood's Edinburgh Magazine — Volume 53, No. 331, May, 1843 eBook

This eBook from the Gutenberg Project consists of approximately 382 pages of information about Blackwood's Edinburgh Magazine — Volume 53, No. 331, May, 1843.

Blackwood's Edinburgh Magazine — Volume 53, No. 331, May, 1843 eBook

This eBook from the Gutenberg Project consists of approximately 382 pages of information about Blackwood's Edinburgh Magazine — Volume 53, No. 331, May, 1843.

Not the least agreeable portion of these travels, is the pleasant impression they leave of the traveller himself, one who has his humours doubtless, but who is social, buoyant, brave, generous, and enterprising.  A Frenchman—­as a chemist, in his peculiar language, would say—­is a creature “endowed with a considerable range of affinity.”  Our traveller has this range of affinity; he wins the heart of all and several—­the crew of his speronara. We will close with the following extract, both because it shows the frank and lively feelings of the Frenchman, and because it introduces a name dear to all lovers of melody.  The father of Bellini was a Sicilian, and Dumas was in Sicily.

“It was while standing on this spot, that I asked my guide if he knew the father of Bellini.  At this question he turned, and pointing out to me an old man who was passing in a little carriage drawn by one horse—­’Look you,’ said he, ’there he is, taking his ride into the country!’
“I ran to the carriage and stopped it, knowing that he is never intrusive who speaks to a father of his son, and of such a son as Bellini’s.  At the first mention of his name, the old man took me by both hands, and asked me eagerly if I really knew his son.  I drew from my portfolio a letter of introduction, which, on my departure from Paris, Bellini had given me for the Duchess de Noja, and asked him if he knew the handwriting.  He took the letter in his hands, and answered only by kissing the superscription.
“‘Ah,’ said he, turning round to me, ’you know not how good he is!  We are not rich.  Well, at each success there comes some remembrance, something to add to the ease and comfort of an old man.  If you will come home with me, I will show you how many things I owe to his goodness.  Every success brings something new.  This watch I carry with me, was from Norma; this little carriage and horse, from the Puritans.  In every letter that he writes, he says that he will come; but Paris is far from Sicily.  I do not trust to this promise—­I am afraid that I shall die without seeing him again.  You will see him, you——­’

    “‘Yes,’ I answered, ‘and if you have any commission——­’

“’No—­what should I send him?—­My blessing?—­Dear boy, I give it him night and morning.  But tell him you have given me a happy day by speaking to me of him—­tell him that I embraced you as an old friend—­(and he embraced me)—­but you need not say that I was in tears.  Besides,’ he added, ’it is with joy that I weep.—­And is it true that my son has a reputation?’

    “‘Indeed a very great reputation.’

“‘How strange!’ said the old man, ’who would have thought it, when I used to scold him, because, instead of working, he would be eternally beating time, and teaching his sister all the old Sicilian airs!  Well, these things are written above.  I wish I could see him before I die.—­But your name?’ he added, ’I have forgotten all this time to ask your name.’

    “I told him:  it woke no recollection.

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Blackwood's Edinburgh Magazine — Volume 53, No. 331, May, 1843 from Project Gutenberg. Public domain.