Punch, or the London Charivari, Volume 156, May 28, 1919 eBook

This eBook from the Gutenberg Project consists of approximately 51 pages of information about Punch, or the London Charivari, Volume 156, May 28, 1919.

Punch, or the London Charivari, Volume 156, May 28, 1919 eBook

This eBook from the Gutenberg Project consists of approximately 51 pages of information about Punch, or the London Charivari, Volume 156, May 28, 1919.

“You silly little goosey!” said Algy; “don’t you see that it’s not as a man who admires her but as a novelist who’s studying her that I talk to Pearl Preston?  She’s my next heroine.  A heroine like that is a sine qua non in a novel of the Modernist school.”

But Lallie couldn’t see the dif between a man and a novelist, and Algy couldn’t write his best seller without studying its heroine, and so—­and so—­at last our poor prize couple are in that long list that an overworked judge complained of the other day.  And if you ask for the moral I suppose it’s “Don’t try to study character where there isn’t any.”

This is emphatically a season for arms, my Daphne, which seems quite a good little idea for peace-time!  Faces and figures don’t count; it’s the arm, the whole arm and nothing but the arm!  There are all sorts of stunts for attracting attention to round white arms, and if one has the other kind one had better go and do a rest-cure.  Your Blanche is beyond criticism in that respect, as you know, and the other night at the opera I’d a succes fou with a big black-enamel beetle, held in place by an invisible platinum chain, crawling on my upper arm.

Lady Manoeuvrer is simply ravie de joie at the rage for arms, for her Daffodil, who’s been a great worry to her (she’s the only clever one, you know, all the others being pretty), has the best arms of the whole bunch.  She’s taken Madame Fallalerie’s course, “The Fascination of the Arms,” and is made to flourish hers about from morn to night, poor child, till she sometimes does a small weep from sheer exhaustion.  The other day at Kempford Races, in a no-sleeved coatee with a black sticking-plaster racehorse in full gallop on her upper arm, she attracted plenty of attention and had two offers, I hear.  Arms and the man, again!

A propos, Lady Manoeuvrer told me yesterday she’d sent a thank-offering to one of the hospitals.  “But how sweet of you!” I said.  “For the restoration of Peace, I suppose?” “No, dearest,” she whispered; “for the restoration of the London Season!”

Ever thine, BLANCHE.

* * * * *

[Illustration:  Tube Habitue (homeward bound). “TWO STRAPS, ’AMMERSMITH.”]

* * * * *

    “LETTS TAKE RIGA.”

    Daily Mail.

Yes, and let’s keep it.

* * * * *

[Illustration:  Manager (introducing music-hall turn). “LADIES AND GENTLEMEN, KHAGOOLA WILL NOW PROCEED TO GIVE HIS ASTOUNDING CLAIRVOYANT, MEMORY AND SECOND SIGHT ACT, AND WILL ANSWER ANY QUESTION THAT ANY MEMBER OF THE AUDIENCE MAY PUT TO HIM.”

Voice from Gallery.  “TELL US WHERE THERE’S A ’OUSE TO LET.”]

* * * * *

MURMAN AMENITIES.

Copyrights
Project Gutenberg
Punch, or the London Charivari, Volume 156, May 28, 1919 from Project Gutenberg. Public domain.