When everything was ready for a start, the Inhabitant
insisted that he would go “a piece” with
them to show the way, and, mounted on his Indian pony,
he kept them company to their destination. Then
the trapper bade Albert an affectionate adieu, and
gave a blushing, stammering, adoring farewell to Katy,
and turned his little sorrel pony back toward his
home, where he spent the next few days in trying to
make some worthy verses in commemoration of the coming
to the cabin of a trapper lonely, a purty angel bright
as day, and how the trapper only wep’ and cried
when she went away. But his feelings were too
deep for his rhymes, and his rhymes were poorer than
his average, because his feeling was deeper.
He must have burned up hundreds of couplets, triplets,
and sextuplets in the next fortnight. For, besides
his chivalrous and poetic gallantry toward womankind,
he found himself hopelessly in love with a girl whom
he would no more have thought of marrying than he
would of wedding a real angel. Sometimes he dreamed
of going to school and getting an education, “puttin’
some school-master’s hair-ile onter his talk,”
as he called it, but then the hopelessness of any
attempt to change himself deterred him. But thenceforth
Katy became more to him than Laura was to Petrarch.
Habits of intemperance had crept upon him in his isolation
and pining for excitement, but now he set out to seek
an ideal purity, he abolished even his pipe, he scrupulously
pruned his conversation of profanity, so that he wouldn’
be onfit to love her any way, ef he didn’ never
marry her.
CHAPTER XV.
AN EPISODE.
I fear the gentle reader, how much more the savage
one, will accuse me of having beguiled him with false
pretenses. Here I have written XIV chapters of
this story, which claims to be a mystery, and there
stand the letters XV at the head of this chapter and
I have not got to the mystery yet, and my friend Miss
Cormorant, who devours her dozen novels a week for
steady diet, and perhaps makes it a baker’s dozen
at this season of the year, and who loves nothing
so well as to be mystified by labyrinthine plots and
counterplots—Miss Cormorant is about to
part company with me at this point. She doesn’t
like this plain sailing. Now, I will be honest
with you, Miss Cormorant, all the more that I don’t
care if you do quit. I will tell you plainly
that to my mind the mystery lies yet several chapters
in advance, and that I shouldn’t be surprised
if I have to pass out of my teens and begin to head
with double X’s before I get to that mystery.
Why don’t I hurry up then? Ah! there’s
the rub. Miss Cormorant and all the Cormorant
family are wanting me to hurry up with this history,
and just so surely as I should skip over any part of
the tale, or slight my background, or show any eagerness,
that other family, the Critics—the recording
angels of literature—take down their pens,
and with a sad face joyfully write: “This