Jimmie Dale put the pieces in his pocket, went to the safe, opened it, and took out a parcel, locked the safe carefully, and carried the parcel to the desk.  He opened it there.  Inside were nearly two dozen little packages of hundred-dollar bills.  The other two packages that he had brought with him he added to the rest.  From his pocket he took out the thin metal insignia case, and with the tiny tweezers lifted up one of the gray-coloured, diamond-shaped paper seals.  He moistened the adhesive side, and, still holding it by the tweezers, dropped it on his handkerchief and pressed the seal down on the face of the topmost package of banknotes.  He tied the parcel up then, and, picking up the pen, addressed it in printed characters: 

HUDSON-MERCANTILE NATIONAL BANK,

New York city.

“District messenger—­some way—­in the morning,” he murmured.

Jimmie Dale slipped his mask into his pocket, and, with the parcel under his arm, stepped to the door and unlocked it.  He paused for an instant on the threshold for a single, quick, comprehensive glance around the room—­then passed on out into the street.

At the corner he stopped to light a cigarette—­and the flame of the match spurting up disclosed a face that was worn and haggard.  He threw the match away, smiled a little wearily—­and went on.

The Gray Seal had committed another “crime.”

CHAPTER VII

THE THIEF

Choosing between the snowy napery, the sparkling glass and silver, the cozy, shaded table-lamps, the famous French chef of the ultra-exclusive St. James Club, his own home on Riverside Drive where a dinner fit for an epicure and served by Jason, that most perfect of butlers, awaited him, and Marlianne’s, Jimmie Dale, driving in alone in his touring car from an afternoon’s golf, had chosen—­Marlianne’s.

Marlianne’s, if such a thing as Bohemianism, or, rather, a concrete expression of it exists, was Bohemian.  A two-piece string orchestra played valiantly to the accompaniment of a hoarse-throated piano; and between courses the diners took up the refrain—­and, as it was always between courses with some one, the place was a bedlam of noisy riot.  Nevertheless, it was Marlianne’s—­and Jimmie Dale liked Marlianne’s.  He had dined there many times before, as he had just dined in the person of Jimmie Dale, the millionaire, his high-priced imported car at the curb of the shabby street outside—­and he had dined there, disreputable in attire, seedy in appearance, with the police yelping at his heels, as Larry the Bat.  In either character Marlianne’s had welcomed him with equal courtesy to its spotted linen and most excellent table-d’hote with Vin ORDINAIRE—­for fifty cents.

And now, in the act of reaching into his pocket for the change to pay his bill, Jimmie Dale seemed suddenly to experience some difficulty in finding what he sought, and his fingers went fumbling from one pocket to another.  Two men at the table in front of him were talking—­their voices, over a momentary lull in violin squeaks, talk, laughter, singing, and the clatter of dishes, reached him: