The curtain closed on the last act,—­on the little dead Cio-Cio-San,—­and the people stood on their feet to call Farrar, giving her unstintedly of their bravas.  Kate and Marna stood with the others, but they were silent.  There were large, glistening tears on Marna’s cheeks, and Kate refrained from adding to her silent singing-bird’s distress by one word of appreciation of the evening’s pleasure; but as they moved down the thronged aisle together, she caught Marna’s hand in her own, and felt her fingers close about it tenaciously.

Outside a bitter wind was blowing, and with such purpose that it had cleared the sky of the day’s murk so that countless stars glittered with unwonted brilliancy from a purple-black heaven.  Crowded before the entrance were the motors, pouring on in a steady stream, their lamps half dazzling the pedestrians as they struggled against the wind that roared between the high buildings.

Though Marna was to take the Madison Street car, they could not resist the temptation to turn upon the boulevard where the scene was even more exhilarating.  The high standing lights that guarded the great drive offered a long and dazzling vista, and between them, sweeping steadily on, were the motor-cars.  Laughing, talking, shivering, the people hastened along—­the men of fashion stimulated and alert, their women splendid in furs and cloaks of velvet while they waited for their conveyances; by them tripped the music students, who had been incomparably happy in the highest balcony, and who now cringed before the penetrating cold; among them marched sedately the phalanx of middle-class people who permitted themselves an opera or two a year, and who walked sedately, carrying their musical feast with a certain sense of indigestion;—­all moved along together, thronging the wide pavement.  The restaurants were awaiting those who had the courage for further dissipation; the suburban trains had arranged their schedules to convenience the crowd; and the lights burned low in the hallways of mansions, or apartments, or neat outlying houses, awaiting the return of these adventurers into another world—­the world of music.  All would talk of Farrar.  Not alone that night, nor that week, but always, as long as they lived, at intervals, when they were happy, when their thoughts were uplifted, they would talk of her.  And it might have been Marna Cartan instead of Geraldine Farrar of whom they spoke!

“Marna of the far quest” might have made this “flight unhazarded”; might have been the core of all this fine excitement.  But she had put herself out of it.  She had sold herself for a price—­the usual price.  Kate would not go so far as to say that a birthright had been sold for a mess of pottage, but Ray McCrea’s stock was far below par at that moment.  Yet Ray, as she admitted, would not doom her to a life of monotony and heavy toil.  With him she would have the free and useful, the amusing and excursive life of an American woman married to a man of wealth.  No, her programme would not be a petty one—­and yet—­