Sir Marmaduke had walked to the park gates with his wife, not so much because he was anxious for her safety, but chiefly because he meant to retire within the pavilion, there to cast aside forever the costume and appurtenances of Prince Amede d’Orleans and to reassume the sable-colored doublet and breeches of the Roundhead squire, which proceeding he had for the past six months invariably accomplished in the lonely little building on the outskirts of his own park.
As soon, therefore, as he realized that Sue had gone, he turned his steps towards the pavilion. The night seemed additionally dark here under the elms, and Sir Marmaduke searched in his pocket for his tinder-box.
It was not there. He had left it at the cottage, and quickly recollected seeing it lying on the table at the very moment that Sue pushed the leather wallet towards him.
He had mounted the few stone steps which led up to the building, but even whilst he groped for the latch with an impatient hand, he realized how impossible it would be for him anon, to change his clothes, in the dark; not only to undress and dress again, but to collect the belongings of the Prince d’Orleans subsequently, for the purpose of destroying them at an early opportunity.
Groping about in inky blackness might mean the forgetting of some article of apparel, which, if found later on, might lead to suspicion or even detection of the fraud. Sir Marmaduke dared not risk it.
Light he needed, and light he ought to have. The tinder-box had become of paramount importance, and it was sheer wantonness on the part of Fate that she should have allowed that little article to rest forgotten on the table in Mistress Lambert’s cottage.
Sir Marmaduke remained pondering—in the darkness and the mist—for a while. His own doublet and breeches, shoes and stockings were in the pavilion: would he ever be able to get at them without a light? No, certainly not! nor could he venture to go home to the Court in his present disguise, and leave his usual clothes in this remote building.
Prying, suspicious eyes—such as those of Master Hymn-of-Praise Busy, for instance, might prove exceedingly uncomfortable and even dangerous.
On the other hand, would it not be ten thousand times more dangerous to go back to the cottage now and risk meeting Richard Lambert face to face?
And it was Richard whom Sir Marmaduke feared.
He had, therefore, almost decided to try his luck at dressing in the dark, and was once more fumbling with the latch of the pavilion door, when through the absolute silence of the air, there came to his ear through the mist the sound of a young voice calling the name of “Sue!”
The voice was that of Richard Lambert.
The coast would be clear then. Richard had met Sue in the park: no doubt he would hold her a few moments in conversation. The schemer cared not what the two young people would or would not say to one another; all that interested him now was the fact that Richard was not at the cottage, and that, therefore, it would be safe to run back and fetch the tinder-box.