* * * * *
I look upon indolence as a
sort of suicide; for the man is
efficiently destroyed, though
the appetite of the brute may
survive.—Lord
Chesterfield.
*
* * * *
THE GATHERER
A true Abernethian.—“An old country curate,” says Zimmerman, “who had all his life resided upon a lofty mountain in the Canton of Berne, was one day presented with a moor-cock. A consultation took place in what manner it should be disposed of—at last it was agreed to bury it in the garden!”
Epitaph on a notorious Liar.
I always lied and lied till
death,
But now I lie for want of breath.
Castanets are small wooden rattles, made in the shape of two bowls or cups, fitted together, and tied by a string, and then fastened to the thumbs. The fingers being rapidly struck upon them, a tremulous sound is produced, which marks exactly the measure of the dance. Something similar to this was the crotalon of the ancients, who also made use of small cymbals in their dances and festivals in honour of Bacchus. It is probable, however, that they had their origin in the East, and were brought by the Moors into Spain. Here too they received their name castennalas, from being commonly made of the wood of the chestnut, (castano) or from their colour. They are still common in Spain, and here and there in the South of France. In this country they are common in stage dances only.
Cannon were formerly dignified with great names. Twelve cast by Louis XII. were called after the twelve peers of France. Charles V. had twelve, which he called the Twelve Apostles. One at Bois-le-Duc is called the Devil; a sixty-pounder at Dover Castle, is named Queen Elizabeth’s Pocket Pistol; an eighty-pounder at Berlin, is called the Thunderer; another at Malaga, the Terrible; two sixty-pounders at Bremen, the Messengers of Bad News.