more than local fame. Other Irishmen who have
loomed large in Australasian affairs are Daniel Brophy,
John Cumin, Augustus Leo Kenny, James Coghlan, Sir
Patrick Buckley, Sir John O’Shannessy, and Nicholas
Fitzgerald. Louis C. Brennan, C.B., who was born
in Ireland in 1852, emigrated to Australia when a
boy and while working in a civil engineer’s
office in Melbourne conceived the idea of the “Brennan
Torpedo”, which he afterwards perfected, and
then in 1897 sold the invention to the British Admiralty
for L110,000. Another Brennan, Frank by name,
is president of the Knights of Our Lady of the Southern
Cross and has been a labor member of the federal parliament
since 1911; a third, Christopher John, is assistant
lecturer in modern literature in the University of
Sydney; and a fourth, James, of the diocese of Perth,
was made a Knight of St. Silvester by Pius X. in 1912.
Young Australia and New Zealand may be as the world
goes, but already both have much to their credit in
the domains of music, art, and literature; and here,
as usual, the Irish have been to the fore. In
the writing of poetry, history, and fiction the Celtic
element has been especially distinguished. Not
to speak of the writers mentioned elsewhere in this
sketch, scores of Irish men and women have been identified
with the development of an Australian literature which,
though delightfully redolent of the land whence it
sprang, nevertheless possesses the universal note which
makes it a truly human product. Many years ago
one of the most gifted of Irish-Australian singers,
“Eva"’ of the
Nation, voiced a tentative
plaint:
“O barren land! O
blank, bright sky!
Methinks it were a noble duty
To kindle in that vacant eye
The light of spirit—beauty—
To fill with airy shapes divine
Thy lonely plains and mountains,
The orange grove, the bower of vine,
The silvery lakes and fountains;
To wake the voiceless, silent air
To soft, melodious numbers;
To raise thy lifeless form so fair
From those deep, spell-bound slumbers.
Oh, whose shall be the potent hand
To give that touch informing,
And make thee rise, O Southern Land,
To life and poesy warming?”
Mrs. O’Doherty herself, who long lived in that
Queensland which she thus apostrophized, helped in
no uncertain way to answer her own question.
So did John Farrell, the author of the truly remarkable
“Jubilee Ode” of 1897 and of a collection
of poems which include the well known “How He
Died.” And so, long before, had the non-Catholic
Irishman, Edward O’Shaughnessy, who went to Australia
as a convict, but who laughed in lockstep and made
music with his chains.
James Francis Hogan, author and journalist, was born
in Tipperary in 1855 and shortly afterward was brought
by his parents to Melbourne where he received his
education. On his return to Ireland he was elected
to represent his native county in parliament.
He is an authority on Australian history and in his
book on The Gladstone Colony has given us a
fine specimen of modern historical method. With
him must be mentioned Roderick Flanagan, whose History
of New South Wales appeared in 1862.