A Social History of the American Negro eBook

Benjamin Griffith Brawley
This eBook from the Gutenberg Project consists of approximately 546 pages of information about A Social History of the American Negro.

A Social History of the American Negro eBook

Benjamin Griffith Brawley
This eBook from the Gutenberg Project consists of approximately 546 pages of information about A Social History of the American Negro.

In the history of the question of the mulatto two facts are outstanding.  One is that before the Civil War, as was very natural under the circumstances, mulattoes became free much faster than pure Negroes; thus the census of 1850 showed that 581 of every 1000 free Negroes were mulattoes and only 83 of every 1000 slaves.  Since the Civil War, moreover, the mulatto element has rapidly increased, advancing from 11.2 per cent of the Negro population in 1850 to 20.9 per cent in 1910, or from 126 to 264 per 1000.  On the whole question of the function of this mixed element the elaborate study, that of Reuter, is immediately thrown out of court by its lack of accuracy.  The fundamental facts on which it rests its case are not always true, and if premises are false conclusions are worthless.  No work on the Negro that calls Toussaint L’Ouverture and Sojourner Truth mulattoes and that will not give the race credit for several well-known pure Negroes of the present day, can long command the attention of scholars.  This whole argument on the mulatto goes back to the fallacy of degrading human beings by slavery for two hundred years and then arguing that they have not the capacity or the inclination to rise.  In a country predominantly white the quadroon has frequently been given some advantage that his black friend did not have, from the time that one was a house-servant and the other a field-hand; but no scientific test has ever demonstrated that the black boy is intellectually inferior to the fair one.  In America, however, it is the fashion to place upon the Negro any blame or deficiency and to claim for the white race any merit that an individual may show.  Furthermore—­and this is a point not often remarked in discussions of the problem—­the element of genius that distinguishes the Negro artist of mixed blood is most frequently one characteristically Negro rather than Anglo-Saxon.  Much has been made of the fact that within the society of the race itself there have been lines of cleavage, a comparatively few people, very fair in color, sometimes drawing off to themselves.  This is a fact, and it is simply one more heritage from slavery, most tenacious in some conservative cities along the coast.  Even there, however, old lines are vanishing and the fusion of different groups within the race rapidly going forward.  Undoubtedly there has been some snobbery, as there always is, and a few quadroons and octoroons have crossed the color line and been lost to the race; but these cases are after all comparatively few in number, and the younger generation is more and more emphasizing the ideals of racial solidarity.  In the future there may continue to be lines of cleavage in society within the race, but the standards governing these will primarily be character and merit.  On the whole, then, the mulatto has placed himself squarely on the side of the difficulties, aspirations, and achievements of the Negro people and it is simply an accident and not inherent quality that accounts for the fact that he has been so prominent in the leadership of the race.

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A Social History of the American Negro from Project Gutenberg. Public domain.