“I’m not sure of that.  No man’s part of any case is plain, if you look at it carefully.  The most that you can say of Braybridge is that he is rather a simple nature.  But nothing,” the psychologist added, with one of his deep breaths, “is so complex as a simple nature.”

“Well,” Minver contended, “Braybridge is plain, if his case isn’t.”

“Plain?  Is he plain?” Wanhope asked, as if asking himself.

“My dear fellow, you agnostics doubt everything!”

“I should have said picturesque.  Picturesque, with the sort of unbeautifulness that takes the fancy of women more than Greek proportion.  I think it would require a girl peculiarly feminine to feel the attraction of such a man—­the fascination of his being grizzled and slovenly and rugged.  She would have to be rather a wild, shy girl to do that, and it would have to be through her fear of him that she would divine his fear of her.  But what I have heard is that they met under rather exceptional circumstances.  It was at a house in the Adirondacks, where Braybridge was, somewhat in the quality of a bull in a china-shop.  He was lugged in by the host, as an old friend, and was suffered by the hostess as a friend quite too old for her.  At any rate, as I heard (and I don’t vouch for the facts, all of them), Braybridge found himself at odds with the gay young people who made up the hostess’s end of the party, and was watching for a chance to—­”

Wanhope cast about for the word, and Minver supplied it—­“Pull out.”

“Yes.  But when he had found it Miss Hazelwood took it from him.”

“I don’t understand,” Rulledge said.

“When he came in to breakfast, the third morning, prepared with an excuse for cutting his week down to the dimensions it had reached, he saw her sitting alone at the table.  She had risen early as a consequence of having arrived late the night before; and when Braybridge found himself in for it, he forgot that he meant to go away, and said good-morning, as if they knew each other.  Their hostess found them talking over the length of the table in a sort of mutual fright, and introduced them.  But it’s rather difficult reporting a lady verbatim at second hand.  I really had the facts from Welkin, who had them from his wife.  The sum of her impressions was that Braybridge and Miss Hazelwood were getting a kind of comfort out of their mutual terror because one was as badly frightened as the other.  It was a novel experience for both.  Ever seen her?”

We looked at one another.  Minver said:  “I never wanted to paint any one so much.  It was at the spring show of the American Artists.  There was a jam of people; but this girl—­I’ve understood it was she—­looked as much alone as if there were nobody else there.  She might have been a startled doe in the North Woods suddenly coming out on a twenty-thousand-dollar camp, with a lot of twenty-million-dollar people on the veranda.”

“And you wanted to do her as The Startled Doe,” I said.  “Good selling name.”