Bushido did not require us to make our conscience the slave of any lord or king. Thomas Mowbray was a veritable spokesman for us when he said:
“Myself I throw, dread
sovereign, at thy foot.
My life thou shalt command,
but not my shame.
The one my duty owes;
but my fair name,
Despite of death, that
lives upon my grave,
To dark dishonor’s
use, thou shalt not have.”
A man who sacrificed his own conscience to the capricious will or freak or fancy of a sovereign was accorded a low place in the estimate of the Precepts. Such an one was despised as nei-shin, a cringeling, who makes court by unscrupulous fawning or as cho-shin, a favorite who steals his master’s affections by means of servile compliance; these two species of subjects corresponding exactly to those which Iago describes,—the one, a duteous and knee-crooking knave, doting on his own obsequious bondage, wearing out his time much like his master’s ass; the other trimm’d in forms and visages of duty, keeping yet his heart attending on himself. When a subject differed from his master, the loyal path for him to pursue was to use every available means to persuade him of his error, as Kent did to King Lear. Failing in this, let the master deal with him as he wills. In cases of this kind, it was quite a usual course for the samurai to make the last appeal to the intelligence and conscience of his lord by demonstrating the sincerity of his words with the shedding of his own blood.
Life being regarded as the means whereby to serve his master, and its ideal being set upon honor, the whole
EDUCATION AND TRAINING OF A SAMURAI,
were conducted accordingly.
The first point to observe in knightly pedagogics was to build up character, leaving in the shade the subtler faculties of prudence, intelligence and dialectics. We have seen the important part aesthetic accomplishments played in his education. Indispensable as they were to a man of culture, they were accessories rather than essentials of samurai training. Intellectual superiority was, of course, esteemed; but the word