The Lives of the Poets of Great Britain and Ireland (1753) Volume V. eBook

Theodore Watts-Dunton
This eBook from the Gutenberg Project consists of approximately 370 pages of information about The Lives of the Poets of Great Britain and Ireland (1753) Volume V..

The Lives of the Poets of Great Britain and Ireland (1753) Volume V. eBook

Theodore Watts-Dunton
This eBook from the Gutenberg Project consists of approximately 370 pages of information about The Lives of the Poets of Great Britain and Ireland (1753) Volume V..

He has been pleased to reflect on me in a few quotations from a play, which I had lately the good fortune to usher into the world; I am there concerned in reputation to enter upon my defence.  There are three passages in his Art of Sinking in Poetry, which he endeavours to bring into disgrace from the Double Falsehood.

One of these passages alledged by our critical examiner is of that stamp, which is certain to include me in the class of profound writers.  The place so offensive for its cloudiness, is,

  —­The obscureness of her birth
  Cannot eclipse the lustre of her eyes,
  Which make her all one light.

I must own, I think, there needs no great Oedipus to solve the difficulty of this passage.  Nothing has ever been more common, than for lovers to compare their mistresses eyes to suns and stars.  And what does Henriquez say more here than this, ’That though his mistress be obscure by her birth; yet her eyes are so refulgent, they set her above that disadvantage, and make her all over brightness.’  I remember another rapture in Shakespear, upon a painter’s drawing a fine lady’s picture, where the thought seems to me every whit as magnified and dark at the first glance,

—­But her eyes—­
  How could he see to do them! having done one,
  Methinks it should have power to steal both his,
  And leave itself unfinished.—­

This passage is taken from the Merchant of Venice, which will appear the more beautiful, the more it is considered.

Another passage which Mr. Pope is pleased to be merry with, is in a speech of Violante’s;

  Wax! render up thy trust.—­

This, in his English is open the letter; and he facetiously mingles it with some pompous instances, most I believe of his own framing; which in plain terms signify no more than, See, whose there; snuff the candle; uncork the bottle; chip the bread; to shew how ridiculous actions of no consequence are, when too much exalted in the diction.  This he brings under a figure, which he calls the Buskin, or Stately.  But we’ll examine circumstances fairly, and then we shall see which is most ridiculous; the phrase, or our sagacious censurer.

Violante is newly debauched by Henriquez, on his solemn promise of marrying her:  She thinks he is returning to his father’s court, as he told her, for a short time; and expects no letter from him.  His servant who brings the letter, contradicts his master’s going for court; and tells her he is gone some two months progress another way, upon a change of purpose.  She who knew what concessions she had made to him, declares herself by starts, under the greatest agonies; and immediately upon the servant leaving her, expresses an equal impatience, and fear of the contents of this unexpected letter.

  To hearts like mine, suspence is misery. 
  Wax! render up thy trust,—­Be the contents
  Prosperous, or fatal, they are all my due.

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The Lives of the Poets of Great Britain and Ireland (1753) Volume V. from Project Gutenberg. Public domain.