Composition-Rhetoric eBook

Stratton D. Brooks
This eBook from the Gutenberg Project consists of approximately 464 pages of information about Composition-Rhetoric.

Composition-Rhetoric eBook

Stratton D. Brooks
This eBook from the Gutenberg Project consists of approximately 464 pages of information about Composition-Rhetoric.

The accidental analogies or likenesses are limitless, and are the great stock in trade of most writers and speakers.  An ingenious mind finds types everywhere, but real analogies are not so common.  The likeness of one thing to another may be valid and real, but the likeness of a thought with a thing is often merely fanciful....

I recently have met with the same fallacy in a leading article in one of the magazines.  “The fact revealed by the spectroscope,” says the writer, “that the physical elements of the earth exist also in the stars, supports the faith that a moral nature like our own inhabits the universe.”  A tremendous leap—­a leap from the physical to the moral.  We know that these earth elements are found in the stars by actual observation and experience; but a moral nature like our own—­this is assumed, and is not supported by the analogy.

John Burroughs:  Analogy, True and False.

Notice the use of analogy in the argument below.

There is only one cure for the evils which newly acquired freedom produces; and that cure is freedom.  When a prisoner first leaves his cell he cannot bear the light of day:  he is unable to discriminate colors, or recognize faces.  But the remedy is, not to remand him into his dungeon, but to accustom him to the rays of the sun.  The blaze of truth and liberty may at first dazzle and bewilder nations which have become blind in the house of bondage.  But, let them gaze on, and they will soon be able to bear it.  In a few years men learn to reason.  The extreme violence of opinions subsides.  Hostile theories correct each other.  The scattered elements of truth cease to contend and begin to coalesce, and at length a system of justice and order is educed out of the chaos.

—­Macaulay:  Milton.

+193.  Summary of Arrangement.+—­The necessity of argument arises because some one does not believe the truth of a proposition.  To establish in his mind a belief, we must present our arguments in an orderly and convincing way.  The order will usually be to show him first the possibility and then the probability, and finally to lead him as near to certainty as we can.  We may say, therefore, that we should use arguments from cause, arguments from sign, and arguments from example in the order named.

Another principle of arrangement is that inductive argument will usually precede deductive argument.  We naturally proceed by induction to establish general truths which, when established, we may apply.  If our audience already believe the general theories, the inductive part may be omitted.

Both of these principles of arrangement should be considered with reference to that of a third, namely, climax.  Climax means nothing more than the orderly progression of our argument to the point where it convinces our hearer.  We call that argument which finally convinces him the strongest, and naturally this should be the end of the argument.  Of several proofs of equal grade, one that will attract the attention of the hearer should come first, while the most convincing one should come last.

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Composition-Rhetoric from Project Gutenberg. Public domain.