Falkland, all in white, in my Gallery?  Shall I even confess to you, what was the origin of this romance!  I waked one morning, in the beginning of last June, from a dream, of which, all I could recover was, that I had thought myself in an ancient castle (a very natural dream for a head filled like mine with Gothic story), and that on the uppermost banister of a great staircase I saw a gigantic hand in armour.  In the evening I sat down, and began to write, without knowing in the least what I intended to say or relate.  The work grew on my hands, and I grew fond of it—­add, that I was very glad to think of anything, rather than politics.  In short, I was so engrossed with my tale, which I completed in less than two months, that one evening, I wrote from the time I had drunk my tea, about six o’clock, till half an hour after one in the morning, when my hand and fingers were so weary, that I could not hold the pen to finish the sentence, but left Matilda and Isabella talking, in the middle of a paragraph.  You will laugh at my earnestness; but if I have amused you, by retracing with any fidelity the manners of ancient days, I am content, and give you leave to think me idle as you please....

Lord Essex’s trial is printed with the State Trials.  In return for your obliging offer, I can acquaint you with a delightful publication of this winter, “A Collection of Old Ballads and Poetry,” in three volumes, many from Pepys’s Collection at Cambridge.  There were three such published between thirty and forty years ago, but very carelessly, and wanting many in this set:  indeed, there were others, of a looser sort, which the present editor [Dr. Percy[1]], who is a clergyman, thought it decent to omit....

[Footnote 1:  Dr. Percy, Bishop of Dromore, in Ireland, was the heir male of the ancient Earls of Northumberland, and the title of his collection was “Reliques of English Poetry.”  He was also himself the author of more than one imitation of the old ballads, one of which is mentioned by Johnson in a letter to Mr. Langton:  “Dr. Percy has written a long ballad in many fits [fyttes].  It is pretty enough:  he has printed and will soon publish it” (Boswell, iii., ann. 1771).]

My bower is determined, but not at all what it is to be.  Though I write romances, I cannot tell how to build all that belongs to them.  Madame Danois, in the Fairy Tales, used to tapestry them with jonquils; but as that furniture will not last above a fortnight in the year, I shall prefer something more huckaback.  I have decided that the outside shall be of treillage, which, however, I shall not commence, till I have again seen some of old Louis’s old-fashioned Galanteries at Versailles.  Rosamond’s bower, you, and I, and Tom Hearne know, was a labyrinth:  but as my territory will admit of a very short clew, I lay aside all thoughts of a mazy habitation:  though a bower is very different from an arbour, and must have more chambers than one.  In short, I