The ducal cortege sweeps by; but we have mounted the dizzy, dark staircase that leads to the roof, where, amid the bustling life of the city, there is a promenade of still and wondrous solitude. One seems to have ascended in those few moments far beyond the tumult and dust of earthly things, to the silence, the clearness, the tranquillity of ethereal regions. The noise of the rushing tides of life below rises only in a soft and distant murmur; while around, in the wide, clear distance, is spread a prospect which has not on earth its like or its equal. The beautiful plains of Lombardy lie beneath like a map, and the northern horizon-line is glittering with the entire sweep of the Alps, like a solemn senate of archangels with diamond mail and glittering crowns. Mont Blanc, Monte Rosa with his countenance of light, the Jungfrau and all the weird brothers of the Oberland, rise one after another to the delighted gaze, and the range of the Tyrol melts far off into the blue of the sky. On another side, the Apennines, with their picturesque outlines and cloud-spotted sides, complete the inclosure. All around, wherever the eye turns, is the unbroken phalanx of mountains; and this temple, with its thousand saintly statues standing in attitudes of ecstasy and prayer, seems like a worthy altar and shrine for the beautiful plain which the mountains inclose: it seems to give all Northern Italy to God.
The effect of the statues in this high, pure air, in this solemn, glorious scenery, is peculiar. They seem a meet companionship for these exalted regions. They seem to stand exultant on their spires, poised lightly as ethereal creatures, the fit inhabitants of the pure blue sky. One feels that they have done with earth; one can fancy them a band of white-robed kings and priests forever ministering in that great temple of which the Alps and the Apennines are the walls and the Cathedral the heart and centre. Never were Art and Nature so majestically married by Religion in so worthy a temple.