He loses the coming of the cloud, and when it is high in air he loses its shape.  A cloud-lover is not content to see a snowy and rosy head piling into the top of the heavens; he wants to see the base and the altitude.  The perspective of a cloud is a great part of its design—­whether it lies so that you can look along the immense horizontal distances of its floor, or whether it rears so upright a pillar that you look up its mountain steeps in the sky as you look at the rising heights of a mountain that stands, with you, on the earth.

The cloud has a name suggesting darkness; nevertheless, it is not merely the guardian of the sun’s rays and their director.  It is the sun’s treasurer; it holds the light that the world has lost.  We talk of sunshine and moonshine, but not of cloud-shine, which is yet one of the illuminations of our skies.  A shining cloud is one of the most majestic of all secondary lights.  If the reflecting moon is the bride, this is the friend of the bridegroom.

Needless to say, the cloud of a thunderous summer is the most beautiful of all.  It has spaces of a grey for which there is no name, and no other cloud looks over at a vanishing sun from such heights of blue air.  The shower-cloud, too, with its thin edges, comes across the sky with so influential a flight that no ship going out to sea can be better worth watching.  The dullest thing perhaps in the London streets is that people take their rain there without knowing anything of the cloud that drops it.  It is merely rain, and means wetness.  The shower-cloud there has limits of time, but no limits of form, and no history whatever.  It has not come from the clear edge of the plain to the south, and will not shoulder anon the hill to the north.  The rain, for this city, hardly comes or goes; it does but begin and stop.  No one looks after it on the path of its retreat.

WINDS OF THE WORLD

Every wind is, or ought to be, a poet; but one is classic and converts everything in his day co-unity; another is a modern man, whose words clothe his thoughts, as the modern critics used to say prettily in the early sixties, and therefore are separable.  This wind, again, has a style, and that wind a mere manner.  Nay, there are breezes from the east-south-east, for example, that have hardly even a manner.  You can hardly name them unless you look at the weather vane.  So they do not convince you by voice or colour of breath; you place their origin and assign them a history according as the hesitating arrow points on the top of yonder ill-designed London spire.

The most certain and most conquering of all is the south-west wind.  You do not look to the weather-vane to decide what shall be the style of your greeting to his morning.  There is no arbitrary rule of courtesy between you and him, and you need no arrow to point to his distinctions, and to indicate to you the right manner of treating such a visitant.