Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

Her memorial work includes a relief of Dean Stanley, Royal Chapel, Windsor; and a relief of Mr. Fawcett, M.P., on the Thames Embankment.  The late Queen gave Miss Grant several commissions.  In Winchester Cathedral is a screen, on the exterior of Lichfield Cathedral a number of figures, and in the Cathedral of Edinburgh a reredos, all the work of this artist.  At the Royal Academy, 1903, she exhibited a medallion portrait in bronze.

GRATZ, MARIE. Born at Karlsruhe, 1839.  This portrait painter was a pupil of Bergmann, and later of Schick and Canon.  Among her best-known portraits are those of Prince and Princess Lippe-Detmold, Princess Hohenlohe-Langenburg, Prince Wittgenstein, the hereditary Princess Reuss, and Princess Biron von Kurland.

GRAY, SOPHIE DE BUTTS. First honor, Maryland Institute; second honor, World’s Fair, New Orleans; gold medal, Autumn Exhibition, Louisville, 1898; first and second premiums, Nelson County Fair, 1898.

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GREATOREX, ELIZA. In 1869 Mrs. Greatorex was elected associate member of the National Academy, New York, and was the first woman member of the Artists’ Fund Society of New York.  Born in Ireland. 1820-1897.  Studied under Witherspoon and James and William Hart in New York; under Lambinet in Paris; and at the Pinakothek in Munich.  Mrs. Greatorex visited England, Paris, Italy, and Germany, spending a summer in Nuremberg and one in Ober-Ammergau.

Among her most important works are “Bloomingdale,” which was purchased by Mr. Robert Hoe; “Chateau of Madame Cliffe,” the property of Dykeman van Doren; “Landscape, Amsterdam”; pictures of “Bloomingdale Church,” “St. Paul’s Church,” and the “North Dutch Church,” all painted on panels taken from these churches.

Mrs. Greatorex illustrated the “Homes of Ober-Ammergau” with etchings, published in Munich in 1871; also “Summer Etchings in Colorado,” published in 1874; and “Old New York from the Battery to Bloomingdale,” published in 1875.  Eighteen of the drawings for the “Old New York” were at the Philadelphia Exhibition, 1876.

GREENAWAY, KATE. Member of the Royal Institute of Painters in Water-Colors, 1890.  Born in London. 1846-1901.  Her father was a well-known wood-engraver.  Miss Greenaway first studied her art at the South Kensington School; then at Heatherley’s life class and at the Slade School.  She began to exhibit at the Dudley Gallery in 1868.

Her Christmas cards first attracted general attention to her as an artist.  Their quaint beauty and truthful drawing in depicting children, young girls, flowers, and landscape soon made them more popular than the similar work of other artists.  These cards sold by thousands on both sides of the Atlantic and secured consideration for any other work she might do.

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Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. from Project Gutenberg. Public domain.