Her “Satan” attracted much attention when exhibited in 1894.  He is represented as seated on a throne composed of snakes, while he has scales and wings and is armed like a knight.  In 1899 her statue of “Peace” was more pleasing, while a hand-mirror of jade and bronze was much admired both in London and Paris, where it was seen in the Exposition of 1900.  In 1901 she executed a fountain with a figure of a nymph for a garden in Paris; a year later, a second fountain for W. Palmer, Esq., Ascot.  She has made a half-length figure of Kubelik.  Her sculptured portraits include those of Sir Henry Ponsonby, Mme. Calve, Mrs. Walter Palmer, and a bust of the late Queen, in ivory, which she exhibited in 1903.

GLEICHEN, COUNTESS HELENA.

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GLOAG, ISOBEL LILIAN. Born in London, the daughter of Scotch parents.  Her early studies were made at St. John’s Wood Art School, preparatory to entering the School of the Royal Academy, but the conservative and academic training of these institutions so displeased her that she went to the Slade School.  Ill health compelled her to put aside all plans for regular study, and she entered Ridley’s studio for private instruction, following this with work at the South Kensington Museum.  After still further study with Raphael Collin in Paris, she returned to London and soon had her work accepted at the Royal Academy.  Miss Gloag is reported as saying that women have little sense of composition, a failing which she does not seem to share; in this respect and as a colorist she is especially strong.  “Rosamond,” in which the charming girl in a purple robe, sitting before an embroidery frame, is startled by the shadow of Queen Eleanor bearing the poisoned cup, displays these qualities to great advantage.  The leafy bower, the hanging mantle, show great skill in arrangement and a true instinct for color.  “The Magic Mantle,” “Rapunzel,” and the “Miracle of the Roses” have all—­especially, the first named—­made an impression; another and strikingly original picture, called the “Quick and the Dead,” represents a poorhouse, in the ward of which is a group of old women surrounded by the ghosts of men and children.  Miss Gloag has also made some admirable designs for stained-glass windows.  She has been seriously hampered by ill health, and her achievements in the face of such a drawback are all the more remarkable.

GODEWYCK, MARGARETTA. Born at Dort, 1627.  A pupil of the celebrated painter, Nicholas Maas.  She excelled as a painter of flowers, and was proficient in both ancient and modern languages.  She was called by authors of her time, “the lovely flower of Art and Literature of the Merwestrom,” which is a poetical way of saying Dordrecht!

GOLAY, MARY—­MME. SPEICH GOLAY. Silver medal at Geneva Exposition, 1896; eighteen medals and rewards gained in the Art Schools of Geneva, and the highest recompense for excellence in composition and decoration.  Member of the Amis des Beaux-Arts, Geneva; Societe vaudoise des Beaux Arts, Lausanne.  Born in Geneva and studied there under Mittey for flower painting, composition, and ceramic decoration; under Gillet for figure painting.