Her picture of “Diana in Repose” is in the collection of Alphonse de Rothschild; “Return from the Chase,” a prehistoric scene, purchased by the Government; “The Forge,” in the Museum of Rouen, where is also a “Souvenir of Amsterdam.”  Portrait of Benjamin-Constant and several other works of Mlle. Delasalle are in the Luxembourg; other pictures in the collections Demidoff, Coquelin, Georges Petit, etc.

At the Salon des Artistes Francais, 1902, this artist exhibited the portrait of M. Constant and the “Roof-Maker.”  At the Salon des Beaux-Arts, 1903, “The Park at Greenwich,” “The Pont Neuf,” “On the Thames,” and a portrait in oils; and in water-colors, “The Coliseum, Rome,” “A Tiger Drinking,” “A Lion Eating,” “Head of a Lion,” “The Forge,” etc.

In the Magazine of Art, June, 1902, B. Dufernex writes of Mlle. Delasalle essentially as follows:  This artist came into notice in 1895 by means of her picture of “Cain and Enoch’s Daughters.”  Since then her annual contributions have demonstrated her gradual acquirement of unquestionable mastery of her art.  Her characteristic energy is such that her sex cannot be detected in her work; in fact, she was made the first and only woman member of the International Association of Painters under the impression that her pictures—­signed simply A. Delasalle—­were the work of a man.  Attracted by the dramatic aspects of human nature, she finds congenial subjects in the great efforts of humanity in the struggle for life.  Her power of observation enables her to give freshness to hackneyed subjects, as in “La Forge.”  The attitudes of the workmen, so sure and decided, turning the half-fused metal are perfect in the precision of their combined efforts; the fatigue of the men who are resting, overwhelmed and stupefied by their exhausting labor, indicates the work of a profound thinker; whilst the atmosphere, the play of the diffused glow of the molten metal, are the production of an innate colorist.  Her portrait of Benjamin-Constant represents not only the masterful man, but is also the personification of the painter.  The attentive attitude, discerning eye, the openness of the absorbing look, the cerebral mask where rests so much tranquil power, the impressive shape of the leonine face, all combine to make the painting one of the finest portraits of the French school.

She has a perfect and rare knowledge of the art of drawing and a faculty for seizing the character of things.  Mlle. Delasalle exhibited her pictures at the Grafton Gallery, London, in 1902.

DELORME, BERTHE. Medals at Nimes, Montpellier, Versailles, and London.  Member of the Societe des Artistes Francais.  Born at Paris.  Pupil of A. Chaplin.

Mlle. Delorme has painted a great number of portraits, which are in the hands of her subjects.  Her works are exhibited in the Salon au Grand Palais.  In 1902 she exhibited a “Portrait of Mlle. Magdeleine D.”