To the Academy Exhibition of 1903 Mrs. Lewis sent “On the Mountain-side, Engelberg.”

DE ANGELIS, CLOTILDE. This Neapolitan artist has made a good impression in at least two Italian exhibitions.  To the National Exposition, Naples, 1877, she sent “Studio dal Vero” and “Vallata di Porrano,” showing costumes of Amalfi.  Both her drawing and color are good.

DEBILLEMONT-CHARDON, MME. GABRIELLE. Third-class medal, Salon, 1894; honorable mention at Paris Exposition, 1900; second-class medal, Salon, 1901.  This miniaturist is well known by her works, in which so much grace, freshness, skill, and delicacy are shown; in which are represented such charming subjects with purity of tone and skilful execution in all regards, as well as with an incomparable spirit of attractiveness.

This artist is one of the three miniaturists whose works have a place in the Museum of the Luxembourg.  She has had many pupils, and by her influence and example—­for they endeavor to imitate their teacher—­she has done much to improve and enlarge the style in miniature painting.

DE HAAS, MRS. ALICE PREBLE TUCKER. Born in Boston.  Studied at the Cooper Union and with M. F. H. de Haas, Swain Gifford, William Chase, and Rhoda Holmes Nicholls.  Painter of water-color pictures and miniatures.

Her pictures are in private hands in Washington, New York, and Boston.

The following article written at the time of an exhibition by Mrs. de Haas gives a just estimate of her work: 

“Mrs. de Haas is especially devoted to the painting in water-color of landscape and sea views, for which the Atlantic coast affords such a wide and varied range.  A constant and keen observer of Nature, she has seized her marvellous witchery of light and color, and reproduced them in the glow of the moonlight on the water when in a stormy mood, and the silvery gleam has become an almost vivid orange tint.  She is most happy in the tender opalescent hues of the calm sea and the soft sky above, while the little boats seem to rock quietly on the water, barely stirred by the unruffled tide beneath.

“The sunset light is a never-failing source of variety and beauty, and Mrs. de Haas has found a most attractive subject in the steeple of the old church in York Village—­whose graceful curves are said to have been designed by Sir Christopher Wren—­as it rises above the soft mellow glow of the sky or is pictured against the dark clouds.

“In another mood the artist paints the low rocks among the reeds, with the breakers playing about them, while the distant sea stretches out to a horizon, with dark, stormy clouds brooding over the solitary waste.  A remarkable union of the beauty of land and water is produced by a foreground of brilliant fancy flowers relieved by a scrubby tree in the background, with the faint responsive touch of yellow in the clouds over a calm sea, where gentle motion is only indicated by the little boat floating on its surface.