Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

RATH, HENRIETTE. Honorary member of the Societe des Arts, 1801.  Born in 1772, she died in 1856 at Genf, where, with her sister, she founded the Musee Rath.  She studied under Isabey, and was well and favorably known as a portrait and enamel painter.

REAM, VINNIE. See Hoxie.

REDMOND, FRIEDA VOELTER. Medal at the Columbian Exhibition, Chicago.  Member of the Woman’s Art Club.  Born in Thun, Switzerland.  Studies made in Switzerland and in Paris.  A painter of flowers and still-life.

“Mrs. Redmond is a Swiss woman, now residing in New York.  She has exhibited her works in the Paris Salon, in the National Academy of Design, at the Society of American Artists’ exhibitions, etc., and was awarded a medal at the World’s Fair in Chicago.  Her work is not only skilful and accurate in description and characterization; it is done with breadth and freedom, and given a quality of fine decorative distinction.  Her subjects are roses, cyclamen, chrysanthemums, nasturtiums, double larkspurs, cinneraria, etc., and she makes each panel a distinct study in design, with a background and accessories of appropriate character.  For example, the three or four large panels of roses painted at Mentone have a glimpse of the Mediterranean for background, and a suggestion of trellis-work for the support of the vine or bush; and in another rose panel we have a tipped-over Gibraltar basket with its luscious contents strewed about in artful confusion.  The double larkspurs make very charming panels for decorative purposes.  They are painted with delightful fulness of color and engaging looseness and crispness of touch.”—­Boston Transcript.

REGIS, EMMA. This Roman painter has given special attention to figures, and has executed a number of portraits, one of the best of which is that of the Marchioness Durazzo Pallavicini.  She has exhibited some delightful work at Turin and at Rome, such as “The Lute-Player,” “All is not Gold that Glitters,” “Humanity,” and “In illo Tempore?”

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REINHARDT, SOPHIE. Born at Kirchberg, 1775; died at Karlsruhe, 1843.  Pupil of Becker.  She travelled in Austro-Hungary and Italy.  In the Kunsthalle at Karlsruhe is her picture of “St. Elizabeth and the Child John.”  Among her best works are “The Death of St. Catherine of Alexandria,” “The Death of Tasso,” and twelve illustrations for a volume of Hebel’s poems.

REMY, MARIE. Born in Berlin, 1829.  Daughter of Professor August Remy of the Berlin Academy.  Pupil of her father, Hermine Stilke, and Theude Groenland.  She travelled extensively in several European countries, making special studies in flowers and still-life, from which many of her water-colors were painted; twenty of these are in the Berlin National Gallery.

REUTER, ELIZABETH. Born in Lubeck, 1853.  Pupil of Zimmermann in Munich, A. Schliecker in Hamburg, and of H. Eschke in Berlin.  She also went to Duesseldorf to work in the Gallery there.  Later she travelled in Scandinavia.  Her best pictures are landscapes.  Among them is a charming series of six water-colors of views in the park of Friedrichsruhe.

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Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. from Project Gutenberg. Public domain.