Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. eBook

This eBook from the Gutenberg Project consists of approximately 412 pages of information about Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D..

Among her works are “Oxen at Rest,” “The Artist’s Friends,” “Hounds in the Woods,” painted in California.  “Mourning for Their Master,” “The Sick Donkey,” and other less important pictures are in private collections in Hungary.  “The Early Breakfast” is in a gallery in Washington, D. C. She has painted portraits of famous horses owned by the Duke of Portland, which are in England, as is her picture called “By the Fireside.”

LOUD, MAY HALLOWELL. Member of the Copley Society and Boston Water-Color Club.  Born in West Medford, Massachusetts, 1860.  Pupil of the School of Museum of Fine Arts, Boston; Julian Academy, Paris; Cowles Art School, Boston.  In Paris, under Tony Robert-Fleury, Giacomotti, and Louis Deschamps.  Later under Abbott Thayer and Denman W. Ross.

Mrs. Loud’s works are principally portraits, and are in private hands.  Her picture called “The Singer” was purchased by the Atlanta Exposition, and is in a collection in that city.  She works mostly in oils, but has been successful in portraits in pastel; two admirable examples were exhibited in Boston recently, and were favorably noticed for their color and “temperance in the use of high relief.”

LOUISE, PRINCESS. See Argyll.

LUSK, MARIE K.

[No reply to circular.]

LUTMER, EMMY. Medal at Munich, 1888.  Born at Elberfeld, 1859.  Pupil of the School of Art Industries at Munich and of the Museums of Berlin and Vienna.  This skilled enamel painter has her studio in Berlin, where she executes fine and beautiful work.

MACCHESNEY, CLARA TAGGART. Two medals at Chicago Exposition, 1893; Dodge prize, National Academy, New York, 1894; gold medal, Philadelphia Art Club, 1900; Hallgarten prize, National Academy, 1901; bronze medal, Buffalo Exposition, 1901.  Three medals at Colarossi School, Paris.  Member of National Art Club, Barnard Club, and Water-Color Club, all of New York.  Born in Brownsville, California.  Pupil of Virgil Williams in San Francisco Art School; of H. C. Mowbray, J. C. Beckwith, and William Chase in Gotham Art School; and of G. Courtois, A. Girardot, and R. X. Prinet in Colarossi School, Paris.  Exhibited at Paris Salon, Beaux Arts, in 1896, 1898, and at the Exposition in 1900.

[Illustration:  From a Copley Print.

FRITZ

CLARA T. MacCHESNEY]

This artist paints figure subjects.  Among these are “Retrospection,” Boston Art Club; “Tired,” Erie Art Club; “A Good Story,” National Arts Club, New York; “The Old Cobbler,” etc.

Her prize picture at the National Academy, New York, 1894, was called “The Old Spinner.”  This picture had been refused by the committee of the Society of American Artists, only to be thought worthy a prize at the older institution.

MACGREGOR, JESSIE. The gold medal in the Royal Academy Schools for historical painting, a medal given biennially, and but one other woman has received it.  Born in Liverpool.  Pupil of the Schools of the Royal Academy; her principal teachers were the late Lord Leighton, the late P. H. Calderon, R.A., and John Pettie, R.A.

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Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. from Project Gutenberg. Public domain.