The Shadow of the Cathedral eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about The Shadow of the Cathedral.

The Shadow of the Cathedral eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about The Shadow of the Cathedral.
the garden to give little presents to Senor Esteban, the devout entrusted him with palms for their images, or bought little bunches of flowers, believing them to be better than those they could buy at the farms, because they came from the Metropolitan Church, and the old women begged branches of laurel for flavouring and for household medicines.  These incomings, and the two pesetas that the Chapter had assigned to the gardener after the final dismemberment, helped the Senor Esteban and his family to get on.  When he was getting well on in years his third son Gabriel was born, a child who from his fourth year attracted the attention of all the women in the Claverias; his mother affirmed with a blind faith that he was a living image of the Child Jesus that the Virgin of the Sagrario held in her arms.  Her sister Tomasa, who was married to the “Virgin’s Blue,” and was the mother of a numerous family which occupied nearly the half of the upper cloister, talked a great deal about the intelligence of her little nephew, when he could hardly speak, and about the infantile unction with which he gazed at the images.

“He looks like a saint,” she said to her friends.  “You should see how seriously he says his prayers....  Gabrielillo will become somebody; who knows if we may not see him a bishop!  Acolytes that I knew when my father had charge of the sacristy now wear the mitre, and possibly some day we may have one of them in Toledo.”

The chorus of caresses and praises surrounded the first years of the child like a cloud of incense; the family only lived for him, the Senor Esteban, a father in the good old Latin style who loved his sons, but was severe and stern with them in order that they might grow up honourable, felt in the presence of the child a return of his own youth; he played with him, and lent himself smilingly to all his little caprices; his mother abandoned her household duties to please him, and his brother hung on his babbling words.  The eldest, Tomas, the silent youth who had taken the place of his father in the care of the garden, and who even in the depths of winter went barefooted over the flower-beds and rough stones of the alleys, came up often bringing handfuls of sweet-scented herbs, so that his little brother might play with them.  Esteban, the second, who was now thirteen and who enjoyed a certain notoriety among the other acolytes on account of his scrupulous care in assisting at the mass, delighted Gabriel with his red cassock and his pleated tunic, and brought him taper ends and little coloured prints, abstracted from the breviary of some canon.

Now and then he carried him in his arms to the store-room of the giants, an immense room between the buttresses and the arches of the nave, vaulted with stone.  Here were the heroes of the ancient feasts and holidays.  The Cid with a huge sword, and four set pieces representing as many parts of the world:  huge figures with dusty and tattered clothes and broken faces, which had once rejoiced the streets of Toledo, and were now rotting under the roofs of its Cathedral.  In one corner reposed the Tarasca, a frightful monster of cardboard, which terrified Gabriel when it opened its jaws, while on its wrinkled back sat smiling, idiotically, a dishevelled and indecent doll, whom the religious feeling of former ages had baptised with the name of Anne Boleyn.

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The Shadow of the Cathedral from Project Gutenberg. Public domain.