November 20, 1893); “Mrs. Grundy, Jun.,” from the French, (1894); “Gossip,” from the French of Claretie, in collaboration with Leo Ditrichstein (New York:  Palmer’s Theatre, March 11, 1895); “His Grace de Grammont” (Brooklyn:  Park Theatre, September 11, 1895); “Mistress Betty” (New York:  Garrick Theatre, October 15, 1895); “Bohemia,” from the French (New York:  Empire Theatre, March 9, 1896); “The Liar,” from the French of Bisson (New York:  Hoyt’s Theatre, September 2, 1896); “A Superfluous Husband,” adapted from the German, with Leo Ditrichstein (New York:  Miner’s Fifth Avenue Theatre, January 4, 1897); “The Moth and the Flame” (New York:  Lyceum Theatre, April 11, 1898); “The Head of the Family,” adapted from the German, with Leo Ditrichstein (New York:  Knickerbocker Theatre, December 6, 1898); “Nathan Hale” (New York:  Knickerbocker Theatre, January 2, 1899, having been given in Chicago the previous January); “Barbara Frietchie” (New York:  Criterion Theatre, October 24, 1899); “The Cowboy and the Lady” (New York:  Knickerbocker Theatre, December 25, 1899); “Sapho,” from the French of Daudet (New York:  Wallack’s Theatre, February 16, 1900); “The Climbers” (New York:  Bijou Theatre, January 21, 1901); “Lovers’ Lane” (New York:  Manhattan Theatre, February 6, 1901); “Captain Jinks of the Horse Marines” (New York:  Garrick Theatre, February 4, 1901); “The Last of the Dandies” (London, October 24, 1901); “The Way of the World” (New York:  Hammerstein’s Victoria, November 4, 1901); “The Girl and the Judge” (New York:  Lyceum Theatre, December 4, 1901); “The Stubbornness of Geraldine” (New York:  Garrick Theatre, November 3, 1902); “The Girl with the Green Eyes” (New York:  Savoy Theatre, December 25, 1902); “The Bird in the Cage” (New York:  Bijou Theatre, January 12, 1903); “Her Own Way” (New York:  Garrick Theatre, September 28, 1903); “Algy” (Chicago:  Garrick Theatre, October 4, 1903); “Major Andre” (New York:  Savoy Theatre, November 11, 1903); “Glad of It” (New York:  Savoy Theatre, December 28, 1903); “The Frisky Mrs. Johnson” (New York:  Garrick Theatre, May 16, 1904); “The Coronet of a Duchess” (New York:  Garrick Theatre, September 21, 1904); “Granny” (New York:  Lyceum Theatre, October 24, 1904); “Cousin Billy,” adapted from the French (New York:  Criterion Theatre, January 2, 1905); “The Woman in the Case” (New York:  Herald Square Theatre, January 30, 1905); “Her Great Match” (New York:  Criterion Theatre, September 4, 1905); “Wolfville,” a dramatization of a novel by Alfred Henry Lewis, the play in collaboration with Willis Steell, (Philadelphia, October 20, 1905); “The Toast of the Town,” a re-writing of “Mistress Betty” (New York:  Daly’s Theatre, November 27, 1905); “Toddles,” from the French (New York:  Garrick Theatre, March 16, 1906); “The House of Mirth,” a dramatization of Mrs. Edith Wharton’s novel (New York:  Savoy Theatre, October 22, 1906); “The Girl Who Has Everything” (New York:  Liberty Theatre, December 4, 1906); “The Truth” (New York: