The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.

The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.

There is no other Method of fixing those Thoughts which arise and disappear in the Mind of Man, and transmitting them to the last Periods of Time; no other Method of giving a Permanency to our Ideas, and preserving the Knowledge of any particular Person, when his Body is mixed with the common Mass of Matter, and his Soul retired into the World of Spirits.  Books are the Legacies that a great Genius leaves to Mankind, which are delivered down from Generation to Generation, as Presents to the Posterity of those who are yet unborn.

All other Arts of perpetuating our Ideas continue but a short Time:  Statues can last but a few Thousands of Years, Edifices fewer, and Colours still fewer than Edifices. Michael Angelo, Fontana, and Raphael, will hereafter be what Phidias, Vitruvius, and Apelles are at present; the Names of great Statuaries, Architects and Painters, whose Works are lost.  The several Arts are expressed in mouldring Materials:  Nature sinks under them, and is not able to support the Ideas which are imprest upon it.

The Circumstance which gives Authors an Advantage above all these great Masters, is this, that they can multiply their Originals; or rather can make Copies of their Works, to what Number they please, which shall be as valuable as the Originals themselves.  This gives a great Author something like a Prospect of Eternity, but at the same time deprives him of those other Advantages which Artists meet with.  The Artist finds greater Returns in Profit, as the Author in Fame.  What an Inestimable Price would a Virgil or a Homer, a Cicero or an Aristotle bear, were their Works like a Statue, a Building, or a Picture, to be confined only in one Place and made the Property of a single Person?

If Writings are thus durable, and may pass from Age to Age throughout the whole Course of Time, how careful should an Author be of committing any thing to Print that may corrupt Posterity, and poison the Minds of Men with Vice and Error?  Writers of great Talents, who employ their Parts in propagating Immorality, and seasoning vicious Sentiments with Wit and Humour, are to be looked upon as the Pests of Society, and the Enemies of Mankind:  They leave Books behind them (as it is said of those who die in Distempers which breed an Ill-will towards their own Species) to scatter Infection and destroy their Posterity.  They act the Counterparts of a Confucius or a Socrates; and seem to have been sent into the World to deprave human Nature, and sink it into the Condition of Brutality.

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Project Gutenberg
The Spectator, Volumes 1, 2 and 3 from Project Gutenberg. Public domain.