The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.

The Spectator, Volumes 1, 2 and 3 eBook

This eBook from the Gutenberg Project consists of approximately 3,418 pages of information about The Spectator, Volumes 1, 2 and 3.
not understand the Language, may then be informed of the Art of Reading movingly and fervently, how to place the Emphasis, and give the proper Accent to each Word, and how to vary the Voice according to the Nature of the Sentence.  There is certainly a very great Difference between the Reading a Prayer and a Gazette, which I beg of you to inform a Set of Readers, who affect, forsooth, a certain Gentleman-like Familiarity of Tone, and mend the Language as they go on, crying instead of Pardoneth and Absolveth, Pardons and Absolves.  These are often pretty Classical Scholars, and would think it an unpardonable Sin to read Virgil or Martial with so little Taste as they do Divine Service.
This Indifferency seems to me to arise from the Endeavour of avoiding the Imputation of Cant, and the false Notion of it.  It will be proper therefore to trace the Original and Signification of this Word.  Cant is, by some People, derived from one Andrew Cant, who, they say, was a Presbyterian Minister in some illiterate Part of Scotland, who by Exercise and Use had obtained the Faculty, alias Gift, of Talking in the Pulpit in such a Dialect, that it’s said he was understood by none but his own Congregation, and not by all of them.  Since Mas.  Cant’s time, it has been understood in a larger Sense, and signifies all sudden Exclamations, Whinings, unusual Tones, and in fine all Praying and Preaching, like the unlearned of the Presbyterians.  But I hope a proper Elevation of Voice, a due Emphasis and Accent, are not to come within this Description.  So that our Readers may still be as unlike the Presbyterians as they please.  The Dissenters (I mean such as I have heard) do indeed elevate their Voices, but it is with sudden jumps from the lower to the higher part of them; and that with so little Sense or Skill, that their Elevation and Cadence is Bawling and Muttering.  They make use of an Emphasis, but so improperly, that it is often placed on some very insignificant Particle, as upon if, or and.  Now if these Improprieties have so great an Effect on the People, as we see they have, how great an Influence would the Service of our Church, containing the best Prayers that ever were composed, and that in Terms most affecting, most humble, and most expressive of our Wants, and Dependance on the Object of our Worship, dispos’d in most proper Order, and void of all Confusion; what Influence, I say, would these Prayers have, were they delivered with a due Emphasis, and apposite Rising and Variation of Voice, the Sentence concluded with a gentle Cadence, and, in a word, with such an Accent and Turn of Speech as is peculiar to Prayer?
As the matter of Worship is now managed, in Dissenting Congregations, you find insignificant Words and Phrases raised by a lively Vehemence; in our own Churches, the most exalted Sense depreciated, by a dispassionate Indolence.  I remember to
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The Spectator, Volumes 1, 2 and 3 from Project Gutenberg. Public domain.