Mr.  SPECTATOR, Dec. 4, 1712.

’The Academy of Painting, lately established in London, having done you and themselves the Honour to chuse you one of their Directors; that Noble and Lovely Art, which before was entitled to your Regards, as a Spectator, has an additional Claim to you, and you seem to be under a double Obligation to take some Care of her Interests.

’The Honour of our Country is also concerned in the matter I am going to lay before you:  we (and perhaps other Nations as well as we) have a National false Humility as well as a National Vain-Glory; and tho’ we boast our selves to excel all the World in things wherein we are out-done abroad, in other things we attribute to others a Superiority which we our selves possess.  This is what is done, particularly, in the Art of Portrait or Face-Painting.

’Painting is an Art of a vast Extent, too great by much for any mortal Man to be in full possession of, in all its Parts; ’tis enough if any one succeed in painting Faces, History, Battels, Landscapes, Sea-Pieces, Fruit, Flowers, or Drolls, &c.  Nay, no Man ever was excellent in all the Branches (tho’ [many [3]] in Number) of these several Arts, for a distinct Art I take upon me to call every one of those several Kinds of Painting.

’And as one Man may be a good Landscape-Painter, but unable to paint a Face or a History tollerably well, and so of the rest; one Nation may excel in some kinds of Painting, and other kinds may thrive better in other Climates.

’Italy may have the Preference of all other Nations for History-Painting; Holland for Drolls, and a neat finished Manner of Working; France, for Gay, Janty, Fluttering Pictures; and England for Portraits:  but to give the Honour of every one of these kinds of Painting to any one of those Nations on account of their Excellence in any of these parts of it, is like adjudging the Prize of Heroick, Dramatick, Lyrick or Burlesque Poetry, to him who has done well in any one of them.

’Where there are the greatest Genius’s, and most Helps and Encouragements, ’tis reasonable to suppose an Art will arrive to the greatest Perfection:  By this Rule let us consider our own Country with respect to Face-Painting.  No Nation in the World delights so much in having their own, or Friends, or Relations Pictures; whether from their National Good-Nature, or having a love to Painting, and not being encouraged in the great Article of Religious Pictures, which the Purity of our Worship refuses the free use of, or from whatever other Cause.  Our Helps are not inferior to those of any other People, but rather they are greater; for what the Antique Statues and Bas-reliefs which Italy enjoys are to the History-Painters, the Beautiful and noble Faces with which England is confessed to abound,