The Motions of the Minds of Lovers are no where so well described, as in the Works of skillful Writers for the Stage. The Scene between Fulvia and Curius, in the second Act of Johnson’s Catiline, is an excellent Picture of the Power of a Lady over her Gallant. The Wench plays with his Affections; and as a Man of all Places in the World wishes to make a good Figure with his Mistress, upon her upbraiding him with Want of Spirit, he alludes to Enterprizes which he cannot reveal but with the Hazard of his Life. When he is worked thus far, with a little Flattery of her Opinion of his Gallantry, and desire to know more of it out of her overflowing Fondness to him, he brags to her till his Life is in her Disposal.
When a Man is thus liable to be vanquished by the Charms of her he loves, the safest Way is to determine what is proper to be done, but to avoid all Expostulation with her before he executes what he has resolved. Women are ever too hard for us upon a Treaty, and one must consider how senseless a thing it is to argue with one whose Looks and Gestures are more prevalent with you, than your Reason and Arguments can be with her. It is a most miserable Slavery to submit to what you disapprove, and give up a Truth for no other Reason, but that you had not Fortitude to support you in asserting it. A Man has enough to do to conquer his own unreasonable Wishes and Desires; but he does that in vain, if he has those of another to gratify. Let his Pride be in his Wife and Family, let him give them all the Conveniences of Life in such a manner as if he were proud of them; but let it be his own innocent Pride, and not their exorbitant Desires, which are indulged by him. In this case all the little Arts imaginable are used to soften a Man’s Heart, and raise his Passion above his Understanding;