What was peculiarly excellent in this memorable Companion, was, that in the Accounts he gave of Persons and Sentiments, he did not only hit the Figure of their Faces, and Manner of their Gestures, but he would in his Narration fall into their very Way of thinking, and this when he recounted Passages, wherein Men of the best Wit were concerned, as well as such wherein were represented Men of the lowest Rank of Understanding. It is certainly as great an Instance of Self-love to a Weakness, to be impatient of being mimick’d, as any can be imagined. There were none but the Vain, the Formal, the Proud, or those who were incapable of amending their Faults, that dreaded him; to others he was in the highest Degree pleasing; and I do not know any Satisfaction of any indifferent kind I ever tasted so much, as having got over an Impatience of seeing my self in the Air he could put me when I have displeased him. It is indeed to his exquisite Talent this way, more than any Philosophy I could read on the Subject, that my Person is very little of my Care; and it is indifferent to me what is said of my Shape, my Air, my Manner, my Speech, or my Address. It is to poor Eastcourt I chiefly owe that I am arrived at the Happiness of thinking nothing a Diminution to me, but what argues a Depravity of my Will.
It has as much surprized me as any thing in Nature, to have it frequently said, That he was not a good Player: But that must be owing to a Partiality for former Actors in the Parts in which he succeeded them, and judging by Comparison of what was liked before, rather than by the Nature of the Thing. When a Man of his Wit and Smartness could put on an utter Absence of common Sense in his Face as he did in the Character of Bulfinch in the Northern Lass [2] and an Air of insipid Cunning and Vivacity in the Character of Pounce in the Tender Husband, [3] it is Folly to dispute his Capacity and Success, as he was an Actor.