The Ancients have not much of this Poetry among them, for, indeed, almost the whole Substance of it owes its Original to the Darkness and Superstition of later Ages, when pious Frauds were made use of to amuse Mankind, and frighten them into a Sense of their Duty.  Our Forefathers look’d upon Nature with more Reverence and Horrour, before the World was enlightened by Learning and Philosophy, and lov’d to astonish themselves with the Apprehensions of Witchcraft, Prodigies, Charms and Enchantments.  There was not a Village in England, that had not a Ghost in it, the Church-yards were all haunted, every large Common had a Circle of Fairies belonging to it, and there was scarce a Shepherd to be met with who had not seen a Spirit.

Among all the Poets of this Kind our English are much the best, by what I have yet seen; whether it be that we abound with more Stories of this Nature, or that the Genius of our Country is fitter for this sort of Poetry.  For the English are naturally fanciful, and very often disposed by that Gloominess and Melancholy of Temper, which is so frequent in our Nation, to many wild Notions and Visions, to which others are not so liable.

Among the English, Shakespear has incomparably excelled all others.  That noble Extravagance of Fancy which he had in so great Perfection, thoroughly qualified him to touch this weak superstitious Part of his Reader’s Imagination; and made him capable of succeeding, where he had nothing to support him besides the Strength of his own Genius.  There is something so wild and yet so solemn in the Speeches of his Ghosts, Fairies, Witches and the like Imaginary Persons, that we cannot forbear thinking them natural, tho’ we have no rule by which to judge of them, and must confess, if there are such Beings in the World, it looks highly probable that they should talk and act as he has represented them.

There is another sort of imaginary Beings, that we sometimes meet with among the Poets, when the Author represents any Passion, Appetite, Virtue or Vice, under a visible Shape, and makes it a Person or an Actor in his Poem.  Of this Nature are the Descriptions of Hunger and Envy in Ovid, of Fame in Virgil, and of Sin and Death in Milton.  We find a whole Creation of the like Shadowy Persons in Spencer, who had an admirable Talent in Representations of this kind.  I have discoursed of these Emblematical Persons in former Papers, and shall therefore only mention them in this Place.  Thus we see how many Ways Poetry addresses it self to the Imagination, as it has not only the whole Circle of Nature for its Province, but makes new Worlds of its own, shews us Persons who are not to be found in Being, and represents even the Faculties of the Soul, with her several Virtues and Vices, in a sensible Shape and Character.

I shall, in my two following Papers, consider in general, how other kinds of Writing are qualified to please the Imagination, with which I intend to conclude this Essay.